History Commons^™

Sconce Upon A Time: Evaluating Multimodal Methods Of Researching Period Lighting Technology, A Case Study Of Drayton Hall, Neale Elizabeth Grisham

All Theses

This thesis reviews several methods of researching light sources and lighting schemes from the “long eighteenth century,”[1] on a historical site. Despite the period’s cultural reliance on lighting as well as technological advancement in this era, there has yet to be published documentation on how to engage with evidence of lighting technology on historic sites for better understanding of the site’s relationship with lighting.

Using Drayton Hall in Charleston, South Carolina as a case study, this thesis outlines and demonstrates the process of five methods of investigating period lighting technology. These methods are: wall investigation, anchorage points comparison and …

Peculiar And Proper Habits: The Use And Production Of Academic Dress In Colonial, Revolutionary, And Federal Philadelphia, Nicholas Heavens

Transactions of the Burgon Society

This is a study of the adoption and use of academic dress at the University of Pennsylvania and its predecessor institutions, the College of Philadelphia and University of the State of Pennsylvania from approximately 1750–1830. Despite early interest of the College’s founder, Benjamin Franklin, to use academic dress to monitor student activities outside college bounds, there was soon contentious debate between the institution’s founding senior academics about whether academic dress should be used at all. By sheer force of will of its leading proponent, academic dress came into use at public ceremonies. These public ceremonies became a model for public …

From Necessity To Novelty: Historic Trades In Colonial Williamsburg, Cecelia Rose Eure

Undergraduate Honors Theses

Colonial Williamsburg is a living history museum in Virginia that hosts a large program interpreting and preserving eighteenth-century craft methods. Using ethnographic research methods, this paper evaluates the value of the historic trades program as a means of preserving otherwise lost skills, producing knowledge, and engaging the public in history. I argue that historic trades interpretation connects with audiences more than traditional exhibits, particularly highlighting specialized interpretation, on-the-job discoveries, representation of identity groups, and the ability to utilize online video platforms. Additionally, I address the divide between modern consumption and production, and how visitors can find historic trades that were …

"Shakedown Street: The Grateful Dead And The Commodification Of Hippie Culture", Zachary A. Graham

Honors College Theses

The Grateful Dead were one of the most successful and enduring bands to come out of the original hippie counterculture of the late 1960’s. Beginning as a small, experimental blues-rock group with no desire to pursue commercial success, fame and fortune nonetheless found the Dead over the course of their three decades on the road. Through constant touring, a consistent level of apathy towards business and making money, and with the help of arguably the most dedicated fanbase in music history, the Grateful Dead became more than just a band, they were the face of a new cultural phenomenon that …

Paper Sons And Chosen Families: Blurry Archives And Non-Biological Kinship In The Chong Family Album, Sam Battles

Kaplan Senior Essay Prize for Use of Library Special Collections

In the face of Chinese exclusion and Victorian-era morality, this project presents a family photo album as a counter-narrative to racialized and gendered immigration policies. The photo album is from the Chong family who were part of a Chinese American community living in San Francisco around 1915. The paper follows the fluctuating and non-chronological layout of the album and the uncertainties within to analyze Chinese Americans family formations in the context of state control of Asian migrants, including hyper-policing and surveillance around immigration status, queerness, and class. The Chong family album demonstrates how Chinese Americans employed flexible definitions of family …

“A Certain Brauch:” German-Georgian Palatine And Rhenish Immigrant Houses In Columbia County, New York And Their Vernacular Architectural Roots, Andrew J. Roberge

Senior Projects Spring 2022

In this archaeological and architectural survey of 18th Century Palatine and Rhenish immigrant houses in New York's Hudson Valley, specifically in Columbia County, I track the development of three houses from their earliest vernacular forms to those touched by the Georgian influence. The Georgian worldview, stemming from European Enlightenment ideals, began permeating colonial American society in the 18th Century. It's influence first began to touch the wealthy and elite most connected with mother Europe, and then trickled into more common society. I chronicle and analyze Germantown, NY's Reformed Sanctity Church Parsonage, Germantown, NY's Simeon Rockefeller House, and Clermont, NY's "Stone …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Rochester Ladies’ Anti-Slavery (Sewing) Society: Handcraft As A Metaphorical Tool For The Abolitionist Cause, Hinda Mandell

Journal of Feminist Scholarship

In 1851, in Rochester, New York, a group of six women banded together as the founding members of an anti-slavery group in order to support the work of the abolitionist Frederick Douglass. They called themselves the Rochester Ladies’ Anti-Slavery (Sewing) Society, although they dropped “Sewing” from the group’s name in 1855. Yet the fact that “Sewing” was included in the original name of this reformist group indicates the foundational role of craft not only as a guiding activity but also central as an activist mechanism to abolish the institution of slavery. They were the benefactors of Frederick Douglass, himself regarded …

9/11: News Media As Prism, Luka L. Murro

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …