History Commons^™

"A Friend, A Nimble Mind, And A Book": Girls' Literary Criticism In Seventeen Magazine, 1958-1969, Jill E. Anderson

University Library Faculty Publications

This article argues that postwar Seventeen magazine, a publication deeply invested in enforcing heteronormativity and conventional models of girlhood and womanhood, was in fact a more complex and multivocal serial text whose editors actively sought out, cultivated, and published girls’ creative and intellectual work. Seventeen's teen-authored “Curl Up and Read” book review columns, published from 1958 through 1969, are examples of girls’ creative intellectual labor, introducing Seventeen's readers to fiction and nonfiction which ranged beyond the emerging “young-adult” literature of the period. Written by young people – including thirteen-year-old Eve Kosofsky (later Sedgwick) – who perceived Seventeen to be an …

"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki

Electronic Thesis and Dissertation Repository

This project examines American scholar W.E.B.’s DuBois’ idea of “double consciousness”, from his book The Souls of Black Folk (1903). The idea of “double consciousness” has and continues to be utilized by Black scholars and artists in literary, theoretical, and psychological contexts, some of which I hope my paper will adequately survey. I begin by examining “double consciousness” from the perspective of particulars by understanding Du Bois’s original idea and the specificities of the American context he himself was a part, considering the legacy of slavery. Then, by focusing primarily on writers such as Frantz Fanon, Richard Wright and Paul …

Spiritual Activism And Political Solidarity In So Far From God And Mother Tongue: Two Views By Two Authors, Jean Paul Russo

FIU Electronic Theses and Dissertations

SPIRITUAL ACTIVISM AND POLITICAL SOLIDARITY IN SO FAR FROM GOD AND MOTHER TONGUE: TWO VIEWS BY TWO AUTHORS

by

Jean Paul Russo

Florida International University, 2020

Miami, Florida

Professor Anne Castro, Major Professor

This thesis focuses on the intersection between spirituality and political action in the works of two Latinx authors, Demetria Martinez and Ana Castillo. Building on Gloria Anzaldua’s theories of trauma, narrative, and what she terms ‘conocimiento,’ I contend that the novels So Far From God, and Mother Tongue, present an alternative approach to political action that is derived from a common experience of suffering and trauma as …

Historical Dissidence: The Temporalities And Radical Possibilities Of American Comics, Jeremy M. Carnes

Theses and Dissertations

Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form. Yet, these approaches implicitly rely on dominant, western logics of temporality in the construction of narrative in comics.

This project considers how comics form actually relies on various temporalities and thus …

Survivor’S Guilt And The Ethics Of Remembering In Isaac Bashevis Singer's The Slave And Cynthia Ozick’S “The Shawl”, Ryne Menhennick

All NMU Master's Theses

The focus of this thesis is an analysis of post-Holocaust Jewish-American literature with a specific emphasis on texts set in Europe. In particular, I examine how Jewish-American authors who lived in the United States during the Holocaust address issues of trauma and survivor’s guilt through fiction. Informed especially by Theodor Adorno and Elie Wiesel, I examine the ethics of fictionalizing the Holocaust. Furthermore, this thesis considers both trauma theory and the psychology of grief to investigate the ways in which the Jewish-American community at large responded to the cultural destruction perpetrated by the Nazis during the Holocaust. Chapter One analyzes …

The Bioethical Significance Of “The Origin Of Man’S Ethical Behavior” (October 1941, Unpublished) By Ernest Everett Just And Hedwig Anna Schnetzler Just, Theodore Walker Jr.

Journal of the South Carolina Academy of Science

Abstract –

E. E. Just (1883-1941) is an acknowledged “pioneer” in cell biology, and he is perhaps the pioneer in study of egg cell fertilization. Here we discover that Just also made pioneering contributions to general biology and evolutionary bioethics.

Within Just’s published contributions to observational cell biology, there are substantial fragments of his theory of ethical behavior, a theory with roots in cell biology. In addition to such previously available fragments, Just’s fully developed theory is now available. This recently discovered unpublished book-length manuscript argues for the biological origins of ethical behavior (evolving from cells to humans, within a …

Paideuma (University Of Maine) Records, 1981-1985, Special Collections, Raymond H. Fogler Library, University Of Maine

Finding Aids

Paideuma: A Journal Devoted to Ezra Pound Scholarship was first published in 1972 by the National Poetry Foundation. In 2002, its focus was expanded, as indicated by its current title Paideuma: Modern and Contemporary Poetry and Poetics. The record group includes papers for publication, manuscripts, typescripts, page proofs.

Heroism And Indeterminacy In Oliver Stone's Jfk And Don Delillo's Libra, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Proletarian Modernism : Aesthetic Intervention In Naturalist Epistemology In Steinbeck, Wright And Mccullers, Kenji Kihara

Legacy Theses & Dissertations (2009 - 2024)

This dissertation explores three proletarian novels published at the end of the Depression era—John Steinbeck’s The Grapes of Wrath, Richard Wright’s Native Son, and Carson McCullers’s The Heart Is a Lonely Hunter—in light of how their aesthetics complicates the inherited epistemology of literary naturalism in response to the changing political climates in the age of the Popular Front. Calling these texts “proletarian modernism,” I investigate how their aesthetics mediate the relations among Marxist ideas, political solidarity and the American value of individualism in an age when it became gradually difficult to fundamentally criticize capitalism and liberalism.