History Commons^™

Stray Threads: Factory Women In Fiction From The Freehold Farm To The Rented Room, 1840-1875, Meghan Wadle

English Theses and Dissertations

As industrialism unmoored agrarian-based American values surrounding independence, individualism, and the gender roles attached to labor, it demanded imaginative solutions for these potentially broken ideologies in antebellum fiction. This project, in two parts, explores how factory women stood at the center of the industrializing U.S.’s cultural identity crisis. In Part One authors from Herman Melville to Harriet Jacobs imagine women laboring in the industrial marketplace as a form of deviant dependency. Here, sexualized depictions of female laborers symptomatize national anxieties about how economic change might transform political freedom by simultaneously modifying traditional forms of patriarchal control. In Part Two, Lucy …

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Parker, Dickey (Wilkinson), 1905-1998 (Sc 3146), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3146. Letter, 12 February 1985, of Dickey Parker, Bowling Green, Kentucky, to “Miss Ruby,” enclosing a poem by Callie Beals titled “A Day in My Garden.” Mrs. Parker notes that Callie Beals was her Sunday School teacher in her early teen years and praises the impact she had on her life.

Michael A Chaney. Reading Lessons In Seeing: Mirrors, Masks, And Mazes In The Autobiographical Graphic Novel. Jackson: Up Of Mississippi, 2016., Jennifer Caroccio

Studies in 20th & 21st Century Literature

Review of Michael A. Chaney. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: UP of Mississippi, 2016.

Taylor, Richard, B. 1941 (Sc 3139), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3139. Handwritten note card from Richard Taylor, Frankfort, Kentucky, to James Baker Hall thanking him for arranging a recent event honoring Larkspur Press of Monterey, Kentucky. He also refers to the work of the operator of the Press, Gray Zeitz.

Beninger, John, 1850-1922 (Sc 3133), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3133. Notebook containing original and copied poetry by John Beninger, a native of Ohio County, Kentucky. Beninger resided in Versailles, Kentucky, for a number of years, and several of the poems refer to people or places in that community. Beninger often mentions the source of his poem’s inspiration and the date he penned it. Mr. Beninger is buried in the McCord Cemetery in Ohio County, Kentucky.

Stories Written On Concrete: Understanding And (Re)Imagining Street Lit And Culture, 1990-2007, Jacinta Saffold

Doctoral Dissertations

“Stories Written on Concrete: Understanding and Re-imagining Street Lit and Culture, 1990-2007,” coalesces around stories of urbanity and coming of age at the turn of the twenty-first century. As the Hip Hop generation reflected on the social, economic, and cultural shifts of the 1980s and 1990s, they took up paper and pen to immortalize the conflicting duality of the gritty and glamorous experience of growing up on a concrete cityscape in America. I interrogate how street lit disrupts normative literary representations of black life in print. Specifically, I consider how urban fiction writes against the African American literary canon in …

The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki

Doctoral Dissertations

Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …

Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo

Doctoral Dissertations

This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …

Woman Energy: How Our Lesbian Past Informs Our Lesbian Future, Shawn(Ta) Smith-Cruz

Publications and Research

Sinister Wisdom Issue 3, published the year 1977 holds an essay by poet Adrienne Rich, titled, “It is the lesbian in us...”; The cover of the same issue has art by photographer Tee Corinne. Sinister Wisdom is a multicultural lesbian literary and art journal. This non-fiction creative essay written by Shawn(ta) Smith-Cruz reflects on the first year of Sinister Wisdom's publication as a celebration of 40 years through this special edition anniversary print for which only 1000 have been printed. The essay remarks on the shift in lesbian identity and community and the potential impact of the Sinister Wisdom journal …

Mcdonald, Nancy D. (Sc 3122), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3122. Note from Nancy D. McDonald accompanying a copy of "I'll Take My Stand" acknowledging that Dr. Lowell H. Harrison, a Western Kentucky University (WKU) history professor, had loaned her the book around 1970. She had failed to return it, and decided, after the deaths of Dr. Harrison and his wife, to donate it in their memory to the Kentucky Library at WKU.

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

The Founding Farce, Or, The Lost Debates Of The Constitutional Convention: Being An Account Of The Discovery Of An Overlooked Document, And The Loss Again, And Rediscovery Of Said Document, Wherein Is Written Unheard Proceedings In The Crafting Of The Glorious Constitution Of These 13 Colonies (Which Has Lately Been Misplaced), Alexander W. Pickens

Senior Honors Projects, 2010-2019

The Constitutional Convention was shrouded in mystery, yet America has been confidently given a narrative of what went on behind closed doors in Philadelphia. Though most of our authentic records of what went on were written by men assumed to be reliable, the deeper one reads into history the more unreliable they become, recent evidence even suggesting that James Madison altered his notes on the Convention years after it was concluded. What if our perception of history is flawed and the Convention was not the glorious meeting of intellectual giants but instead a town hall full of immature behemoths who …

“That Dark Parade”: Emily Dickinson And The Victorian "Cult Of Death”, Carol M. Degrasse

English Department Theses

The elegiac poems of Emily Dickinson provide what is perhaps the clearest depiction of the conflicting emotions inherent to the death-conscious nineteenth century. In one such poem, Dickinson’s oxymoronic phrase, “Dark Parade,” encapsulates the spirit of a social movement that was born of a desire to comfort the grief-stricken and to beautify the horrific. Throughout Dickinson’s corpus of elegiac poetry, the speaker echoes these sentiments and crafts an insightful portrait, juxtaposing the stark horror of death with the ethereal beauty of ceremony. As Dickinson’s elegies are traced over time, the poems develop as microcosmic representations of a grieving nation, as …

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Department of English: Dissertations, Theses, and Student Research

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

True Crime As A Literature Of Advocacy, Leslie Rowen

Undergraduate Theses

True crime is often dismissed as a genre of cheap paperbacks with little literary merit and highly sensational, pornographic content. By contrast, my paper proposes an alternative literary history of true crime which merits further investigation because of its focus on advocating for justice where the justice system failed. I begin with Catharine Williams’ 1833 piece Fall River: An Authentic Narrative, an early example from true crime literature. The text disputes the acquittal of a Methodist preacher for the murder of a female mill worker, arguing that the trial was unfairly slanted in the defendant’s favor. More than a century …

Rice, Laban Lacy, 1870-1973 (Mss 605), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 605. Correspondence, writings, photographs, clippings, and papers of Laban Lacy Rice, a Webster, County, Kentucky native, educator, author, lecturer, poet, and president of Cumberland University, Lebanon, Tennessee. Includes his scientific writing, principally on astronomy, relativity and cosmology, as well as fiction, poetry, and autobiographical writing. Also includes some correspondence and papers relating to his brother, poet and dramatist Cale Young Rice, and sister-in-law, author Alice Hegan Rice.

America Through Rose-Colored Glasses: How American Girl Dolls Shape American Girlhood And Identity, Kelly M. Vaughan

Senior Theses and Projects

This thesis examines the contributions that American Girl dolls make to the development of girlhood, as well as doll and toy culture. I argue that the BeForever collection of historically centered dolls both informs consumers of United States history while instructing them of what it means to be a wholesome, virtuous girl. American Girl provides timeless stories about overcoming hardship in various periods of U.S. history while utilizing common themes in children’s literature to construct an attractive narrative. These dolls and their stories contribute to consumers’ understanding of girlhood, their sense of self, and broad comprehension of history. Recent developments …

Progressive Saxonism: The Construction Of Anglo-Saxonism In Jack London's The Valley Of The Moon And Frank Norris's Mcteague, Matthew John Soderblom

FIU Electronic Theses and Dissertations

The purpose of my thesis seeks to uncover the constructed nature of the Anglo-Saxon ethnicity within two works of fiction. My thesis utilizes London’s The Valley of the Moon (1913) and Norris’s McTeague (1899) because they were published in a similar era. Both authors lived and wrote in the Bay Area during the Progressive Era of American politics. Therefore, there is political, stylistic, and regional proximity. Although Anglo-Saxonism has always been present in the United States, the construction of race was changing in the 1900s. The Valley of the Moon and McTeague both contain intriguing (and antiquated) notions of whiteness …

Depictions Of Fear In Lev Tolstoy's Sevastopol Sketches And Stephen Crane's The Red Badge Of Courage, Ralph Willard Schusler Jr

FIU Electronic Theses and Dissertations

The purpose of this thesis was to examine and compare two iconoclastic works dealing with war as experienced by combatants. So much of modern war fiction takes this perspective that one is hard pressed to imagine a time when such was not the case; the watershed was marked in the above named works by the aforementioned writers, which, and who, were first in putting readers inside the heads of common soldiers facing mortal danger. These pioneering authors opened the door to modernist writing about boundary situations involving existential threat, as well as the psychological reactions they evoke – especially fear. …

Arnold Whitridge: Scholar And Veteran Of Two Armies And Two Wars, Keith J. Muchowski

Publications and Research

This is an invited blog post written for Roads to the Great War, a site dedicated to the study of the First World War edited by historian Mike Hanlon. The article discusses the life and career of Arnold Whitridge, a soldier, scholar and grandson of British poet Matthew Arnold.

This is the url:

http://roadstothegreatwar-ww1.blogspot.com/2017/01/arnold-whitridge-scholar-and-veteran-of.html

The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers

Theses, Dissertations and Capstones

In the aftermath of the War of 1812, America entered a period of unprecedented territorial expansion, economic growth, and political unity. During this time American intellectuals, writers, and musicians began to contemplate the possibility of a national high culture to match the country’s glorious social and political achievements. Newly founded periodicals urged American authors and artists to adopt national themes and materials to replace those imported from abroad, and for the first time Americans began producing their own literary, artistic, and musical works on a previously inconceivable scale. Though American writers and composers explored a wide range of “national themes,” …

American Culture Of Servitude: The Problem Of Domestic Service In Antebellum Literature And Culture, Andrea Holliger

Theses and Dissertations--English

My dissertation argues that domestic service alters a culture’s relationship to the laboring body. I theorize this relationship via popular literary and cultural antebellum texts to explore the effects of servitude as a trope. Methodologically, each chapter reads a literary text in context with social and legal paradigms to 1) demonstrate that servitude undergirds myriad articulations of antebellum power and difference; 2) show how servitude inflects the construction of these paradigms; and 3) trace Americans’ changing relationship to the concept of servitude from the Early Republic through the Civil War.

I begin with James Fenimore Cooper’s The Pioneers (1823), exploring …

Metaphysics Of Mania: Edgar Allan Poe's And Herman Melville's Rebranding Of Madness During The American Asylum Movement, Alexis Renfro

All Master's Theses

The “madman’s” place throughout history has tended to be a mystery on both ontological and epistemological levels. From the perception of the madman as a crazed oracle in the sixteenth century to the perception of the madman as a criminal in the seventeenth and eighteenth centuries, the nineteenth-century madman was even more difficult to define. Because insanity was deemed the inverse of bourgeois normativity and conservative moral standards, those categorized as mad in America during mid-1800s were institutionalized in reformed mental asylums, establishments which sought to homogenize human behavior through moral treatment. Both Edgar Allan Poe and Herman Melville drew …