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Full-Text Articles in History
"But A Contraband Is A Free Man:" Civil War Literature And The Figure Of The "Contraband", Mary A. Kardos
"But A Contraband Is A Free Man:" Civil War Literature And The Figure Of The "Contraband", Mary A. Kardos
Undergraduate Honors Theses
This thesis explores Civil War popular literature related to "contraband" individuals by Black and white authors. In May 1861, those who escaped from enslavement to Union territory were deemed "contrabands of war," a label placing them between freedom and property. This purgatorial category delayed freedom and depicts formerly enslaved persons as both intellectual and literal property of white America. Across various poems, essays, speeches, novels, illustrated envelopes, and sketches, Civil War authors debated the function of the “contrabands” within the American social order. Consequently, this thesis explores the patterns through which the uniquely transitory nature of the “contraband" allowed the …
American Fears: H.P. Lovecraft And The Paranoid Style, Bailey Marvel
American Fears: H.P. Lovecraft And The Paranoid Style, Bailey Marvel
Undergraduate Honors Theses
Why is H.P. Lovecraft still relevant? That is the one the questions put forward by this thesis. Lovecraft is known for his creation of Lovecraftian horror, also known as cosmic horror. However, his bigoted view on race and class muddies this legacy. What this thesis seeks to explore is how Lovecraft’s work demonstrates the fears and anxieties central to the America psyche. The paranoid style can be found in American discourse throughout history but it can also be found in the works of Lovecraft himself. Lovecraft was a prejudiced and paranoid man, and his prejudices and paranoia are a major …
“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks
“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks
Undergraduate Honors Theses
I situate Edith Wharton’s guiding idea of “garden-magic” at the center of my thesis because Wharton’s fiction shows how a garden space could naturalize otherwise inadmissible behaviors within upper-class society while helping a character tie such behavior to a greater possibility for escape. To this end, Wharton situates gardens as idealized touchstones within the built environment of New York City, spaces where characters believe they can reach self-actualization within a version of nature that is man-made. Actualization, in this sense, stems from a character’s imaginative escape that is enabled by a perception of the garden as a kind of natural …