History Commons^™

An Examination Of The Visual And Textual Influences On The Anthology Of American Folk Music, Ben Collier

History Theses

The Anthology of American Folk Music is a collection of eight-four selections of southern vernacular recordings made for commercial record labels in the 1920s and 1930s and assembled into a unified collage by Harry Smith. Smith was an experimental filmmaker, painter, and self-taught anthropologist with a deep interest in renaissance hermeticism and mysticism who worked with Moe Asch in 1952 to release the six-record set and accompanying handbook on Folkways Records. The release was heralded by musicians and critics as an essential piece of influence on the folk music revival. Despite this, the Anthology sold poorly and quickly faced legal …

The Moral Hygiene Movement In The United States, 1840s—1920s, Marissa Seib

History Theses

During the 19th and 20th centuries, the mental health care system in the United States underwent a series of reforms in an effort to better care for some of the country’s frailest citizens. This period, called the moral hygiene era of mental health care, emerged from a further understanding of psychiatry and psychology which led to structural changes in the mental health care system.

This thesis examines the beginnings of the Kirkbride system, which sought to reform the whole of American mental health care through landscaping and architecture as well as the specific treatment plan for each individual. Using case …

By My Side: Charles E. Burchfield's Letters To Bertha K. Burchfield From 1923 To 1963, Alana Ryder

History Theses

Over the past 80 years, research on American artist Charles E. Burchfield (1893-1967) has often placed little emphasis on the people and events that were essential for his artistic freedom and the success of his career. This paper, based on the contents of forty years of letters between Burchfield and his wife Bertha Kenreich (1886-1973), challenges the artist’s mythology, which includes misconceptions of his isolation, lack of influences, dislocation from art history and the insignificance of human connections and activities.

New dimensions of Burchfield's identity are examined, significantly his positions as a husband, father, friend to other artists represented by …