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- Motion capture (20)
- Oral storytelling (20)
- Orature (20)
- Fellowship (15)
- Movement Lab (15)
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- Movement Lab Fellowship (5)
- Student reflections (5)
- Class presentation; FAV-1125-101 (4)
- Class presentation; FAV-1125-102 (2)
- Class presentation; FAV-1125-103 (2)
- Class presentation; FAV-1125-104 (2)
- Black music (1)
- Class presentation; FAV-1125-105 (1)
- Class presentation; FAV-1125-106 (1)
- Class presentation; FAV-1125-107 (1)
- Database; FAV-1125-101 (1)
- Department of History (1)
- Ethnomusicology (1)
- Japan (1)
- Jazz (1)
- Songa (1)
- Syllabus; FAV-1125-101 (1)
Articles 1 - 21 of 21
Full-Text Articles in History
Billie's Reflections, Billie Wynn, Melisa Achoko Allela, Movement Lab
Billie's Reflections, Billie Wynn, Melisa Achoko Allela, Movement Lab
Student Reflections
No abstract provided.
Raul's Reflections, Raul Falcon, Melisa Achoko Allela, Movement Lab
Raul's Reflections, Raul Falcon, Melisa Achoko Allela, Movement Lab
Student Reflections
No abstract provided.
Simone's Reflections, Simone Khanyi Hadebe, Melisa Achoko Allela, Movement Lab
Simone's Reflections, Simone Khanyi Hadebe, Melisa Achoko Allela, Movement Lab
Student Reflections
No abstract provided.
Taira's Reflections, Taira Schurman, Melisa Achoko Allela, Movement Lab
Taira's Reflections, Taira Schurman, Melisa Achoko Allela, Movement Lab
Student Reflections
No abstract provided.
Fatma's Promise, Husna Abubakar, Simone Khanyi Hadebe, Clarissa Guzman
Fatma's Promise, Husna Abubakar, Simone Khanyi Hadebe, Clarissa Guzman
Group Presentations
No abstract provided.
Wendigo, Raul Falcon, Zoe Gilmore
Skeleton Man, Billie Wynn, Sagian Shaw, Taira Schurman
Skeleton Man, Billie Wynn, Sagian Shaw, Taira Schurman
Group Presentations
No abstract provided.
Rise, Ning Yen, Omar Abdelhamid, Erin Xi, Nicole Xu
Rise, Ning Yen, Omar Abdelhamid, Erin Xi, Nicole Xu
Group Presentations
No abstract provided.
Sagian's Reflections, Sagian Shaw, Melisa Achoko Allela, Movement Lab
Sagian's Reflections, Sagian Shaw, Melisa Achoko Allela, Movement Lab
Student Reflections
No abstract provided.
Motion Capture For Orature Wintersession 2024 | Syllabus, Melisa Achoko Allela, Movement Lab
Motion Capture For Orature Wintersession 2024 | Syllabus, Melisa Achoko Allela, Movement Lab
Course Materials
This winter session course invites students to explore motion capture through the lens of traditional oral storytelling practices. Students will actively identify the unique and distinguishing features of orature, and leverage their own cultural backgrounds, personal perspectives, and idiosyncrasies to create motion capture data that can be used in crafting an immersive digital retelling of a folktale.
Songa: A Mocap Database, Melisa Achoko Allela, Movement Lab
Songa: A Mocap Database, Melisa Achoko Allela, Movement Lab
Course Materials
No abstract provided.
Session 1 | Orature: Setting The Foundation, Melisa Achoko Allela, Movement Lab
Session 1 | Orature: Setting The Foundation, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab
Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 2 | Oral Storytelling Space / Place / Time, Melisa Achoko Allela, Movement Lab
Session 2 | Oral Storytelling Space / Place / Time, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 4 | The Talking Cloth As Prop, Melisa Achoko Allela, Movement Lab
Session 4 | The Talking Cloth As Prop, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 5 | Oral Storytelling Props And Costume, Melisa Achoko Allela, Movement Lab
Session 5 | Oral Storytelling Props And Costume, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 7 | Audience Role And Interaction, Melisa Achoko Allela, Movement Lab
Session 7 | Audience Role And Interaction, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 6 | Motion Capture For The Storytelling Performance, Melisa Achoko Allela, Movement Lab
Session 6 | Motion Capture For The Storytelling Performance, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 8 | Non-Verbal Storytelling: Facial Expressions, Melisa Achoko Allela, Movement Lab
Session 8 | Non-Verbal Storytelling: Facial Expressions, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Session 9 | Digital Immersion & Presence In Oral Storytelling: Being There, Melisa Achoko Allela, Movement Lab
Session 9 | Digital Immersion & Presence In Oral Storytelling: Being There, Melisa Achoko Allela, Movement Lab
Course Materials
Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Faculty Books & Book Chapters
Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …