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Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Présence Francophone: Revue internationale de langue et de littérature
This article attempts to answer two main questions: “What does it mean to teach political science in an African university when oneself is African?” and “what social realities are we documenting (or should we document)?” As a political scientist, I came to ask myself these questions based on my encounter with the genocide of the Tutsi in Rwanda, and based on the questions that this major event had kindled in me. My encounter with the subject of “genocide” was in all respects an upheaval because I understood suddenly a large weakness in the way political science was taught at Université …
« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig
« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig
Présence Francophone: Revue internationale de langue et de littérature
Just as the “beur” movement started to flourish in France in the 80’s and the 90’s, a new question has emerged in French society in the last decade: the “black question”, which deals with the place of Africans and Antilleans in French society today. At the same time, a new literary genre has emerged: urban literature, which largely tackles themes related to the presence of Afro-caribbean people in metropolitan France. This article seeks to analyze three urban novels which take place in France, and more specifically how characters situate themselves regarding their Frenchness as the French government attempted to redefine …
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Présence Francophone: Revue internationale de langue et de littérature
Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …
Beyala Et Le Plagiat : Gary, Buten Et Walker Pourvoyeurs De Textes, Kisito Hona
Beyala Et Le Plagiat : Gary, Buten Et Walker Pourvoyeurs De Textes, Kisito Hona
Présence Francophone: Revue internationale de langue et de littérature
If the name of Calixthe Beyala seems to be linked to controversial issues, it is also because she was repeatedly suspected and accused of plagiarism. One of these accusations led to her condemnation by the tribunal of Paris on May 7th, 1996. The purpose of this article consists not only in recapitulating the facts, but also, in capitalizing on them to study the phenomenon of plagiarism in general and the specifi c aspects which it takes with this writer.
Écriture Et Oralité Dans L’Oeuvre De Calixthe Beyala, Gloria Nne Onyeziri
Écriture Et Oralité Dans L’Oeuvre De Calixthe Beyala, Gloria Nne Onyeziri
Présence Francophone: Revue internationale de langue et de littérature
A reading of several works of Beyala will help us consider the way orality works for African women and to suggest new forms of the symbolic representation and of narrative framing drawn from the speech of the people. Reference to their African culture, to their consciousness of cultural identity, helps characters such as Édène, Loukoum and Beyala to define themselves and to lay claim to a critical and self-confi dent voice. They learn from orality the ways of saying of the wise, what is to be retained and transmitted through traditional culture and what aspects of collective memory are better …
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …
Réalisme Merveilleux Et Rire Macabre Contre La Zombification, Anastasil Delarose Makambo
Réalisme Merveilleux Et Rire Macabre Contre La Zombification, Anastasil Delarose Makambo
Présence Francophone: Revue internationale de langue et de littérature
The substance of this analysis is to use fiction, especially the novel, to observe Haiti and Black Africa some 200 years and 40 years, respectively, after independence. The contemporary novelists of these two time periods stress “zombification”, which is their common destiny. They denounce it by means of several scriptural strategies, such as magic realism and macabre laughter. The first contributes to reveal “zombifying” authorities such as houngans, wizards, politicians and their militia. The second is used to make “zombificators” ridiculous by showing how their ranting leads them to appear weak before their rebel victims.
Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua
Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua
Présence Francophone: Revue internationale de langue et de littérature
By engaging his works against apartheid, André Brink chose at the same time to face a double problem of identity: identity of his writing and his personal identity. To the first problem he responds by the relationship with the alter ego (borrowing from others) and to the second by his identification to Africa. His texts, luxuriant in “intertextual relations” but essentially oriented towards Europe, reveals a eurocentric reflex in him that revokes the problem of his personal identity.