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Contemporary Art Commons

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Articles 1 - 5 of 5

Full-Text Articles in Contemporary Art

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen Jan 1998

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Dore Bowen

No abstract provided.


Kentucky Quilts: Roots & Wings, Adrain Swain, Shelly Zegart Jan 1998

Kentucky Quilts: Roots & Wings, Adrain Swain, Shelly Zegart

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog depicting Kentucky quilts.


African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller Jan 1998

African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog of African-American folk art from Kentucky.


Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen Jan 1998

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Faculty Publications

No abstract provided.


French Aesthetics: Contemporary Painting Theory, Gary Shapiro Jan 1998

French Aesthetics: Contemporary Painting Theory, Gary Shapiro

Philosophy Faculty Publications

One peculiar feature of the Anglo-American reception of French thought since about 1970 is the view that the variety of thinkers and tendencies involved reduces everything to language. One crucial place to test such a reading is with regard to a set of texts devoted to painting and the visual arts, for the latter would seem to be situated at or beyond the boundaries of language, a place that Julia Kristeva calls the semiotic. The alleged reductionism of the French is usually construed as the claim that language is a seamless whole in which all meanings are defined in terms …