Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson

BYZANTIUM: Trade, Treasure, Tradition

The concept of power has been evident throughout Byzantine culture, whether in its aristocratic and bureaucratic politics, textiles, architecture, or minted coinage. Consequently, the arts were frequently utilized to represent imperial and religious power with various renderings of symbols, colors, and icons. In addition, images portrayed significant visual and spiritual value as the viewers looked to them for knowledge, guidance, and prayer. The ruling emperors were held in high regard, and imperial families were dominant over Byzantine society. The emperor was created in God's image, given the responsibility to rule on earth and carry out the ten commandments. This essay …

Byzantine Textiles: Embroidery, Delphine Dah

BYZANTIUM: Trade, Treasure, Tradition

The textile that I will be discussing is the Embroidered Medallion found in the fifteenth to the sixteenth century Byzantine Empire. This rare example of Byzantine embroidery consists of two medallions, one depicting the eagle of Saint John, the other the angel of Saint Matthew, two of the four evangelists. The original piece is paired with the other medallion, which shows the symbol for Mark and Luke. Since their scale is so small it suggests that they are meant to be attached to an epitrachelion, a stole worn by priests and bishops as a symbol of their priest hood.

The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin

BYZANTIUM: Trade, Treasure, Tradition

Coinage was an effective tool for representing imperial power in the Byzantine Empire. This short essay focuses on the evolution of power representation in coinage and argues that Byzantine emperors displayed power by employing classical Roman elements in their coinage. This argument is communicated through a chronological comparison of five coins ranging in date from 288 to 1425 C.E. These coins are a small example of the transition from imperial iconography to Christian iconography in which we see how classical forms are preserved even among a drastic change in style and narrative.

Projections On Glass: Reconsidering Glass Pilgrim Vessels From Byzantine Jerusalem, Roxanne D. Jacobson

Theses and Dissertations

Taking an object-orientated approach, this paper reconsiders a series of glass pilgrim vessels that survive from Byzantine Jerusalem and argues against the previous studies that focused solely on iconography to determine the vessels' function.

Review Of: The Locus Of Meaning In Medieval Art: Iconography, Iconology, And Interpreting The Visual Imagery Of The Middle Ages., Gerald B. Guest

2020 Faculty Bibliography

No abstract provided.

The Crown Jewel Of Divinity : Examining How A Coronation Crown Transforms The Virgin Into The Queen, Sara Sims Wilbanks

MA Theses

Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. By utilizing specific images as examples, the paper will be heavily weighted in visual evidence to support my speculative investigations. It is my aim to examine the relation, if at all, between the physical value of crowns and their symbolic meaning in fine art to distinguish …

Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner

Journal of Tolkien Research

Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies

Abstract

J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may be further …

An Iconographical Analysis Of The Madonna And Child With Saints In The Enclosed Garden, Paige L. Deschapelles

Student Publications

The Madonna and Child with Saints in the Enclosed Garden, created approximately between the 1440s and 1460s, is a perfect representation of the highly iconographical images produced during the Renaissance. Although it continues to remain unknown as to who the specific artist responsible for this painting is, it has been attributed to either Robert Campin or one of his many followers. Nevertheless, the depiction of the Virgin Mary holding baby Christ on her lap is heightened as the scene takes place within an enclosed garden, otherwise known as hortus conclusus. Throughout the image itself, one is able to understand how …

Putting Christians On The Map : Topographic Mosaics From Late Antique Jordan As Representations Of Authority And Status., Tracey Elizabeth Eckersley

Electronic Theses and Dissertations

In this dissertation, I examine nine ecclesiastic floor mosaics from Late Antique Palaestina and Arabia that contain topographic motifs ­­˗ images of cities set in realistic or stylized landscapes. Previous interpretations of the pavements have been limited by two assumptions: that artists or bishops were solely responsible for determining the compositions, and that only religious interpretations were intended for church pavements. Inscriptions indicating that patrons were generally lay people and iconography that encourages secular interpretations complicates both assumptions. This study investigates the mosaics in light of Late Antique euergetism in order to determine why donors included architectonic elements in the …

Tundale’S Vision: Socialization In 12th Century Ireland, Michael W. Deike

Undergraduate Honors Theses

The purpose of this project is to explore the historical image of Hell in Medieval Europe as an agent of socialization for illiterate Christian communities. The project focuses on a literary work, Tundale’s Vision, written in 1149 C.E in Cashel, Ireland. Tundale’s Vision came from a genre of vision literature derived from popular oracular folk tradition surrounding the image of Hell that served the purpose of socializing Christian communities to certain social norms and stigmas presented by the author. Vision literature would be used by preachers in vernacular sermons throughout the Medieval period in order to reinforce moral and social …

Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …