Fine Arts Commons^™

The Beauty Of Sacred Texts: Celebrating The 50th Anniversary Of The Institute Of Judaeo-Christian Studies, Archives And Special Collections Center, Seton Hall University

Exhibition Catalogs

Catalog for the exhibition The Beauty of Sacred Texts: Celebrating the 50th Anniversary of the Institute of Judaeo-Christian Studies held at the Seton Hall University Walsh Gallery, October 31 - December 17, 2003. Curated by Steve Panzasis and Heidi Stokes. Includes essay and color illustrations.

Inscape Fall 2003, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2003 edition of the Inscape: Literary and Art Magazine.

Fiction Fix 02, Sarah Howard, April E. Fisher, Danielle Dieger, Robert Orndorff, Thelma Young, Gavin Lamert, Jeff Geloneck, Tim Gilmore, Melissa Gollegly, Shannon Mcleish, Robert Panaro

Fiction Fix

No abstract provided.

Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries

Exhibition and Program Catalogs

Nine artists participating in this exhibition share a concern with how practices of visual representation work to construct individual and collective identity. They examine and then reformulate familiar codes of visual culture, turning established conventions of visual representation against themselves. In highly sophisticated and nuanced critical commentary, they explore how both individual and group identities are shaped in and by one's cultural environment. At the same time, they recognize that limiting understanding can be an equally powerful influence in the shaping of one's sense of self and community.

Expressions, Nsu University School

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Inscape Spring 2003, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 2003 edition of the Inscape: Literary and Art Magazine.

Taking In: The Best Of Aib Photography 2003, Aib Students

Taking In

Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …

Fiction Fix 01, Sarah Howard, Nate Eldon, Robert Orndorff, Shannon Mcleish, Darren Longley, Robert Panaro, Melissa Gollegly, M. J. Howe, Melissa Milburn, Amy Quincy

Fiction Fix

No abstract provided.

Program Booklet: 14th Annual James Porter Colloquium, Department Of Art

14th Annual James Porter Colloquium

No abstract provided.

Spring 2003 - Exhibitions, Lectures, And Events, Usm Art Department

Exhibition Catalogues

NON ORNAMENTAL: RECENT WORK BY JESSICA YANKURA

SEBASTlAO SALGADO: MIGRATIONS HUMANITY IN TRANSITION AND THE CHILDREN LATIN AMERICA: RURAL

SCANDALOUS EYES: AFRICAN AMERICA IN ILLUSTRATED SHEET MUSIC COVERS, 1895-1925

SCANDALOUS FILM SERIES

STUDENT JURIED EXHIBITION

WORDS AND IMAGES

William Morris At The Huntington. Exhibition Review, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.

Beyond Thirst: The Dimensions Of Drink, Bowdoin College. Museum Of Art, Caitlin M. Nelson, Christine L. Paglia

Museum of Art Exhibition Catalogues

"This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 17 through June 15, 2003"--Page 2 of cover

Pack Horse Librarians Of Kentucky, Joe Davis

Morehead State University Art Collection

A 2003 print of six pack horse librarians in the state of Kentucky by artist Joe Davis.

Untitled, Stephen Tirone

Morehead State University Art Collection

A large sculpture that sits outside of the Space Science Center. The object also emits a strange buzzing sound. It is supposed to spin around every 24 hours, but is currently broken.

Building Brighter Futures, Emma Perkins, Alan Perkins

Morehead State University Art Collection

A large mural of two students reading on top of a pile of books while a large eagle is fixated on the right side. There is a small child kneeling in front of what looks like a Roman pillar. This was created by Emma Perkins with help from Alan Perkins and her students in 2003.

Many-Splendored: African Art From Regional Collections (Exhibition Catalogue), Sam Yates

Ewing Gallery of Art & Architecture

Catalogue published for the exhibition Many-Splendored: African Art from Regional Collections at the Ewing Gallery of Art + Architecture February 9 - March 4, 2003.

Many-Splendored featured work from regional collectors: John T. and Peggy Acorn, Dianne Blane, Brent Cantrell, Bert and Editha Carpenter, Tony Day, Harold and Beverly Duckett, Edye Ellis, Bill and Marty Goolsby, Dr. Rosalind J. Hackett, James Miller, Drs. Dwight and Dolly Mullen, and Clark and Judy Stewart.

Albrecht Durer's Life Of The Virgin, La Salle University Art Museum, Caroline Wistar

Art Museum Exhibition Catalogues

Selections from the permanent collection, Winter 2002-2003

De Fontibus Salvatoris: A Survey Of Twelfth And Thirteen Century Baptismal Fonts Ornamented With Events From The Childhood Of Christ, Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

No abstract provided.

Content And Meaning In Abstract Animation, Pamela Turner

Kinetic Imaging Publications and Presentations

Talking about the content and meaning of abstract animation, for the practitioner or enthusiast, is like discussing why one eats chocolate or why we stand at the edge of the ocean, experiencing the sensation of the sand being sucked out from under our feet by the pull of the receding wave. Or why listening to a beautiful adagio can create such a stirring response. These experiences stand for themselves and need no explanation.

For the uninitiated, or the viewer who has little to no encounter with abstract animation, however, these moving images can be initially disconcerting and hard to understand. …

John Dos Passos And His World, University Of Richmond Museums

Exhibition Brochures

John Dos Passos and His World

September 26 to December 07, 2003

Marsh Art Gallery, University of Richmond Museums

Introduction

One of America's most innovative writers, John Dos Passos (1896-1970) also completed more than four hundred paintings and drawings that chronicle his life's journeys. In fifty years, Dos Passos wrote forty-two literary works, and his novels Manhattan Transfer (1925) and the trilogy U.S.A. (published together in 1938) provide a panoramic social history of the first three decades of the twentieth century. Similarly, his paintings captured the times in which he lived and addressed the world around him, in landscapes from …

Why Draw A Landscape?: A Portfolio Of Prints By Contemporary Artists, University Of Richmond Museums

Exhibition Brochures

Why Draw a Landscape?: A Portfolio of Prints by Contemporary Artists

August 20 to December 7, 2003

Joel and Lila Harnett Print Study Center

Introduction

Why Draw a Landscape? features a portfolio of prints on the theme of landscape in contemporary art, commissioned by Crown Point Press in San Francisco and completed in 1999. Each of the eleven participating artists answered the question with a print that attests to the vitality of the natural world.

Collectively, this portfolio includes a diversity of artistic approaches, ranging from documentary accuracy, to expressive images, to abstraction in which areas of colors suggest the …

Untitled, Alexander Stewart

The Messenger

No abstract provided.

The Messenger, 2003

The Messenger

No abstract provided.

Landscapes: David Gloman And Richard Raiselis, Wright State University Art Galleries

Exhibition and Program Catalogs

Poster for the Landscape exhibit at Wright State University Art Galleries featuring artists David Gloman and Richard Raiselis

Horizons, Volume 20, 2003, Sacred Heart University

Vistas (Horizons)

No abstract provided.

As The Ravens Watch: Exploring The Oracle, Kathryn Lavender Hunter

LSU Master's Theses

I believe in the process in which the artist never works alone but always in collaboration with the elements of chance. As an artist I live and work everyday collaborating with chance, from reading my cards to creating ethereal birds. As I sew pieces together, the thread becomes another element of the image by chance, stitches to lines, lines to pattern. Chance leads the birds to portraying their own personality as they are each created, one’s head tilts to the right while another sits tall with dignity. This work is about the connection to the subconscious, my connection to it …

Bathroom Issues, Craig Edward Clifford

LSU Master's Theses

"Obscenity is a human manifestation. The toilet has no central nervous system. No level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible." Lenny Bruce How to Talk Dirty and Influence People Things that make people uncomfortable intrigue me and I find that these same things are very ones that make us laugh the hardest. The fact that sex and bodily functions both make people laugh in addition to making them feel uncomfortable is no accident.

Facing Nature, Facing Paint, Emily Jane Ritchey

LSU Master's Theses

The visual portion of this thesis is made up of paintings that juxtapose built and natural forms. Particular emphasis is placed upon the element of line and the plein-air painting experience. Journal entries chronicle the evolution of painting practice during thesis research, placing the work within the context of the artist’s life.

Accelerate Into The Accident, Jeffey D. Hill

LSU Master's Theses

The installation uses purely steel to describe the organic and chaotic nature of thought processes. It looks for a way to confront grief and anxiety. The procedure's purpose is to understand abstract, emotional thinking in immediate, familiar physical terms. By examining each fine strand, either steel rod or line of thought, I attempt to revel in the overwhelming complexity and irrefutable beauty of the mind. It is not a strategy to control mental imbalance. It is rather a humble acceptance of the organic chaos of thought.

Department Of Music Programs 2002 - 2003, Department Of Music

School of Music: Performance Programs

Includes the music program flyers for the year 2002 - 2003.