Film and Media Studies Commons^™

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued

Présence Francophone: Revue internationale de langue et de littérature

Whether we admit it or not, the mass media manipulates the masses. This fact proves to be especially dangerous in the context of French people of Maghrebian origin. The media presents them as either incapable of being “assimilated” or as models of integration. At any rate, there seems to be no middle ground between these two extremes.

The Americanization Of Tsuru Aoki: Orientalism, Melodrama, Star Image, And The New Woman, Sara Ross

Communication, Media & The Arts Faculty Publications

This article contextualizes issues of race and Orientalism in the career of Japanese actress Tsuru Aoki within changing representational strategies and ongoing cultural struggles over the public and domestic roles of women in the modern age. According to the author, Aoki's persona blurred the boundaries between Japanese and U.S. identities.

Review Of Rosas Negras, By Ana García Bergua, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.

Student Video Slam Press Release, John Garrity

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Student Video Slam press release

November 2005

A Conversation With Manoel De Oliveira: In The Flower, Manoel De Oliveira, Mehrnaz Saeed-Vafa, Ronald Falzone

Conversation With

October 17, filmmaker Manoel De Oliveira spoke at Columbia College Chicago as an artist in the Visiting Director Program of the Directing Concentration, Film and Video Department, Columbia College Chicago. This program was co-sponsored by the Chicago International Film Festival. Mehrnaz Saeed-Vafa interviewed him; Ron Falzone served as editor of this work. 25 pages.

A Conversation With Patrice Chereau: To Be Closer, Patrice Chereau, Ronald Falzone

Conversation With

October 14, film director Patrice Chereau spoke at Columbia College Chicago as an artist in the Visiting Director Program of the Directing Concentration, Film and Video Department, Columbia College Chicago. This program was co-sponsored by the Chicago International Film Festival. Ron Falzone served as moderator and editor of this work. 25 pages.

Student Video Slam Call For Student Produced Videos, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Student Video Slam call for student produced videos

Out Of The Blue: Re-Evaluating Electra-Glide In Blue, William Blick

Publications and Research

The 1970s was a time of moral ambiguity for the cinema. The cult- favorite, Electra Glide in Blue demonstrates the polarization of ideologies in America at the time. In this film, there are several conflicting views of the Vietnam War, "Hippies", drugs, conservatism, communes, and the mistrust of authority that made up a zeitgeist of the time. This short article defines the film as a examination of the ambiguity of the 1970s.

Student Video Slam Entry Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Student Video Slam entry form

Concientious Cinema: Senegalese Cineastes As Preservers Of Cultural Identity And Promoters Of Social Change, Paula Fortner

Independent Study Project (ISP) Collection

Senegalese cinema was born with a conscience. From its earliest days, Senegalese films have been marked by tendencies to preserve cultural identity and promote social change. Using background research, film screenings, discussions, and interviews, this study categories these trends into a movement of “Conscientious Cinema,” and identifies the development of both of these objectives. This study first traces the trend of cultural identity preservation from the films of the founding generation to their evolution in the projects of young filmmakers today, and similarly explores the development of the trend of social-change promotion from between these generations. In the analysis, I …

Review Of Lost In Translation, Written And Directed By Sofia Coppola, Homay King

History of Art Faculty Research and Scholarship

No abstract provided.

Final Build?: Imaging The Local-Global Landscape Of Hewlett-Packard, Ireland, Mark Curran

Masters

This practice-led thesis constitutes a timely response to the absence of audio and visual representation of labour practices and post-industrial space in the context of Ireland’s accelerated economic development during the past decade, resulting in its current status as the most globalised economy in the world. The significance of Ireland’s global position is amplified by the fact that the South of Ireland never experienced the Industrial Revolution and has thus been propelled from an agricultural-based economy to one defined as post industrial. In both its methodological design and implementation, the study stakes out new terrain through the combined use of …

Psychoanalysis & The Films Of Federico Fellini, Mark Hayes

Honors College Theses

This paper explores the connection between the study of psychoanalysis and the films of Italian filmamaker Federico Fellini. It looks at four of his works in detail: I Vitelloni, 8 1/2 [Eight and one half], Juliet of the Spirits and Amarcord and analyzes psychoanalytic themes and symbolism in each. Included is also a brief biography of the filmmaker and an outline of his experiences with psychoanalysis, chiefly the writings of Carl Jung.

Images And Voices From The Cumberland Mountains: Surface Coal Mining And The Evolution Of Appalshop's Documentary Activism., Katherine Elisabeth Schram

Electronic Theses and Dissertations

Since the early 1970s, Appalshop, a regional film workshop in Whitesburg, Kentucky, has been examining social, economic, and environmental issues important to the people of Appalachia. Appalshop’s goal has always been to give a voice to a community that is often stereotyped and misunderstood by the media. Since its creation, Appalshop has devoted ample attention to the practice of surface mining, its potential consequences to the region, and most importantly, local opposition to the practice. While Appalshop’s early surface mining documentaries are focused on educating the general public about the issue, its later documentaries appeal to viewers’ emotions and develop …

Review Of Boudu Saved From Drowning, Michael Adams

Publications and Research

Review of Jean Renoir's 1932 film.

Man In A Suitcase: Tulse Luper At Compton Verney, Anthony Purdy, Bridget Elliott

Anthony Purdy

Exploring in the gallery space the possibilities of an experimental intermediality, Luper at Compton Verney deploys the suitcase both as an emblem for key moments of twentieth-century history, including Auschwitz , and as a recurrent device in twentieth-century art. This essay examines the intersections of art and history in an exhibition space conceived as a complex heterotopian play of "other spaces," such as suitcase installations, vitrine displays, film projections, video screenings, drawings, and maps.

Pretend Play At Home: Creating An Educationally Enriched Environment For Emergent Literacy Among Preschool-Aged Children, Kelly King Anderson

Theses and Dissertations

This thesis will illustrate how pretend play can be used in the home for educational purposes. The major emphasis of the work will be emergent literacy, however, application principles can be applied in all subject areas. Parents who desire to expand their child's literacy skills while exposing the child to an arts enriched home environment need ideas and tools developed with supportive research to strengthen and focus their efforts. These tools will greatly expand parental resources by offering several principles as a guide for adapting existing classroom materials for home use. The following Seven Components form the core foundation for …

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

The Value Of Kitsch. Hermann Broch And Robert Musil On Art And Morality, Patrizia C. Mcbride

Studies in 20th & 21st Century Literature

This article examines the discourse on kitsch articulated by Austrian novelists Hermann Broch (1886-1951) and Robert Musil (1880-1942) between 1930 and 1950. In particular, I focus on the ways in which the two novelists draw the distinction of value between real and pseudo art (or kitsch). As I argue, their disagreement on this matter is emblematic of dilemmas that continue to confront aesthetic evaluation today. While Broch anchors value in a metaphysical realm on the outside of aesthetic discourse, assuming a late-idealistic notion of art, Musil frames the distinction between 'good' and 'bad' art within an empirical, relativistic, and immanent …

Front Matter And Table Of Contents (V. 64)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Images Of Women In Contemporary Egyptian Film: Elements Of The Body Sexuality And Consumerism, Nahla Zeitoun

Archived Theses and Dissertations

Among the various cinematic themes which have been studied over the past several years is that of the image of women. Women, taken as cinematic figures, evoke multiple images of a cultural and social discourse and draw attention to gender and family relations in a broader sense in a specific society. Moreover, Egyptian cinema has been a major point of reference for Egyptian culture in this country. It has shaped and expressed the changing of scenarios of modern Egypt to an extent that no preceding art form could ever achieve. It has influenced the way in which people perceive various …

Play And Technology:A Study Of Icts In Play Activities Of Irish Children (4-8 And 8-12), Brian O'Neill, Noirin Hayes, Stella Downey

Conference Papers

Defined in the Ireland’s national play policy as ‘freely chosen, personally directed, intrinsically motivated behaviour that actively engages the child’ (NCO, 2004, p.10), play now more often than not is a technologically-mediated activity. This paper focuses on the role of technology in play and explores the impact of technological change on children’s play activities. Drawing on our study commissioned by Ireland’s National Children’s Office, we present a detailed exploration of the play activities of Irish children, identifying the range of technologies accessed by children and how they are used in their daily play patterns. The project provided children with an …

Photojournalism, Mass Media And The Politics Of Spectacle, Carol Payne, Amy Lyford

Amy Lyford

No abstract provided.

Capturing The Dance: Producing The Live Dance Performance Of '128' For Video, James E. Clements

Critical and Creative Thinking Capstones Collection

This paper is a companion to the video presentation of Shari and Ben Schwendener’s dance suite, “128” and a reflection of the production processes involved in capturing the live performance. I have used the three production phases, pre-production, production and post-production, to organize my paper. My style is narrative with diary-like sections added to give the sequential order of events the importance they deserve. This paper is not a “how-to” manual for this type of television production; it is a guide through the complicated decision making processes involved in this type of creative endeavor. It is my desire to have …

Flash Animation Project: Written Report, Peter Dee

Dissertations

A written report about a Flash animation project to include the 3 headings of Animation Techniques, Story Telling and Audio along with a critique and an appendix. The Flash animation project is based upon one of Aesop's fables entitled 'The King's Son & the Painted Lion'.