Film and Media Studies Commons^™

Gallery Film And Contemporary Chinese Art : On Yang Fudong’S Beyond God And Evil-First Chapter And Endless Peaks, Bingxi Wang

Lingnan Theses and Dissertations

Gallery films are cinematic installations assembled and displayed in an art gallery as a combined exhibition of moving images and contemporary art. As such, a gallery film signifies the evolution of film presentation from a black-box screen to a white-cube space, a characteristic of contemporary art. This research examines Yang Fudong’s (b. 1971) two exhibitions Beyond GOD and Evil-First Chapter (Suzhou Museum, September to December 2019) and Endless Peaks (ShanghART Gallery, November 2020 to January 2021) by employing theories from art history as well as film and media studies, including theories of Chinese landscape painting, discourses on the picturesque and …

Step By Step : Walk Your Way To... : Fall 2020 The Arts Of Storytelling Student Exhibition, Yan Yan Mak

Artists-in-Residence Programme : Exhibition Catalogues

The works presented in this catalogue demonstrate the outcome of artistic and cultural interactions between Ms Yan Yan Mak and her students in the Fall semester of 2020-21. The Department of Visual Studies is very grateful for their contribution in promoting creativity and art appreciation within and beyond the Lingnan community.

Shuttling Between Image And Text : A Study On Bilingual Intertitles In Chinese Films, 1922-1931, Chen Wang

Lingnan Theses and Dissertations

Almost all extant Chinese film before 1932 were equipped with both English and Chinese intertitles. Who were the writers of intertitles? What traits characterized them? How did intertitles relate to images? Did they simply repeat information provided in images or did they underscore certain messages? Alternatively, did intertitles add new meanings to moving images? Did English intertitles help foreign spectators gain a better understanding of the stories?

To answer these questions, this study investigates the bilingual intertitles in Chinese films from 1922 to 1931 by emphasizing how intertitles and their interactions with images direct spectators’ engagement with and perception of …

Living Stillness, Nunzio Paci

Artists-in-Residence Programme : Exhibition Catalogues

The artist-in-residence in the Fall of 2019-2020 was Mr Nunzio Paci, an Italian artist whose paintings and drawings bring out unexpected connections between human or animal anatomy on the one hand, and plants and flowers on the other hand. The intertwining of the human form with other natural forms is a motif in Art Nouveau art, but Paci’s drawing style seems to owe more to Renaissance anatomical and botanical drawings such as Leonardo da Vinci’s.

Moreover, like Leonardo, Paci relies on close observation, for example, of anatomical wax models and even genuine human corpses. In other words, he draws from …

Continuity, Aleksandar Eftimovski

Artists-in-Residence Programme : Exhibition Catalogues

The sculptures displayed in this exhibition demonstrate knowledge transfer and cultural exchange between Aleksandar and Lingnan students in the process of creating site-specific works. They are largely made by timber from Chi Kee Sawmill & Timber, which was founded in North Point on Hong Kong Island in 1947, but later relocated to Chai Wan and then its current site in Kwu Tong, Sheung Shui in 1982. Unfortunately, this rare survivor of timber business has recently been identified as one of the first areas to be cleared for the controversial North East New Territories Development Plan launched by the HKSAR government. …

在60、70年代之交香港文化雜誌的政治性視覺生產初覽, Kin Wah Lau

Lingnan Theses and Dissertations

香港社會在六、七十年代之交可算風起雲湧，先來六六、六七年兩場不同因由的騷動，接著又掀起了中文成為法定語文、保衛釣魚台等連串場的社會運動，及至反貪運動才稍告一段落。當時的文化雜誌不但投入關注，好些還會介入或參與運動。本研究選取了一九六六至七三年間，《大學生活》(1955-1971)、《盤古》(1967-78)，以及《七Ｏ年代》（1970-76, 78）幾本各具代表性的雜誌作考察，追踪當時文化界出版物上的政治性視覺生產。

所謂「政治性視覺生產」(political visual production)，意指視覺性元素與政治的連結發揮，將之應用在「文化雜誌」場域，主要指通過封面、插圖、排版等元素作視覺性的操作，介入社運或政治文化。文化雜誌作為印刷出版物，既是媒體，也是集合思想討論的平臺，當中接通的仝人網絡，更使其成為一個富政治性與視覺性交叉滲透誘因的文化實驗空間。

透過把雜誌中的政治性視覺生產置於社運的階段性發展來觀察，研究意圖呈示時代政治關鍵性的多重起承轉合如何與之扣連，同時微觀圖像生產遇上的美學政治。正視在香港這火紅的年代造就的政治性視覺生產，其實恰如同從去政治化的香港藝術史書寫中，試勾出被隱沒了的前衛藝術系譜，在探索其特質同時，更望能引動對於香港現當代藝術發展的認知作政治性的反思。

Let Me Tell You A Story = 讓我說一個故事, Sau Ping Adam Wong

Artists-in-Residence Programme : Exhibition Catalogues

"Let Me Tell You a Story" is a showcase of nine short films made by the students and a trailer of them edited by the Artist-in-Residence, Mr Adam WONG Sau Ping.

Wong’s films show a humanistic perspective and employ storytelling to reveal incidents and experiences of real people contemporary society. In the spring of 2019, he teaches the course VIS3298 Studio Practice with a theme on “The Art of Storytelling by Film and Video” and gave a seminar on “Adam Wong On His Filmmaking, from VHS to 4K” at Lingnan University on 25 March. In his course, Wong guides nineteen …

說不出的痛 : 家暴兒童的內心世界, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

自2012年開始，作者專注研究藝術作為圖像語言的本質，以及如何利用藝術創作介入保護家庭及兒童服務，促進家暴兒童受害者的自我表達，為他們在不利的成長環境之中，提供一處或是僅有的安全空間和渠道，讓他們長期被抑壓的情緒得以適當的宣洩，作為導向他們健康成長的開步。

多年來，作者與相關服務單位的社工和專業的藝術治療師，為家暴兒童受害者特別設計連串的藝術創作計劃，所有完成的計劃都是各方專業共同積極參與的成果。最短的計劃為時半年，大多數是一年的計劃，嚴重的個案會個別跟進至年半或更長。

由2012至今，多項完成的計劃已服務超過六十位受家暴創傷的兒童，當中不少的創傷是經年累月的。本書摘錄了這些孩子的作品，當中展現了驚恐、悲傷、憤怒、迷惘和歉疚等，反映的是他們內心那紛亂不安的世界。他們當中承受的創傷或有相同，但每幅圖像都有其獨特的複雜性，非一個孩子能夠用說話和文字說得清楚的。

本書收錄的每一幅圖畫都是一種圖像書寫（image writing）。圖像書寫不需依賴兒童那尚待開發和學習的語言能力。正因如此，這些作品讓我們看見家暴兒童受害者內心那說不出的痛。

Hortus Conclusus 囚, Lantian D.

Artists-in-Residence Programme : Exhibition Catalogues

The Work of Lantian D.

One of the most basic things to understand about Lantian D.’s work is that it is born out of an acute awareness of the weaknesses inherent in contemporary art. The sorry state of the contemporary artworld is even the theme of one her earliest paintings, Crime and Punishment, which contains some suggestive depic­tions of artists and intellectuals who may bear some responsibility for the present situation: Jacques Derrida, Marcel Duchamp, Tracy Emin, Michel Foucault, Clement Greenberg, Damien Hirst, Jeff Koons, Charles Saatchi, and Andy Warhol are all depicted as witch-like creatures from one of …

Transnational Film Production And The Tourist Gaze : On Hou Hsiao-Hsien’S Café Lumière And Flight Of The Red Balloon, Shr-Tzung, Elliott Shie

Journal of Modern Literature in Chinese 現代中文文學學報

This article attempts to reexamine the multiple forms of displacement in and of the film to which the new historical era gave rise, and thereby critically engage with the questions of transnational capital flow, global tourism and spectatorship, and textual migration in the case of intertextuality.

China On The Move : Travel, Exile, And Migration In Chinese Literature And Film Of The 20th Century, Stephen Roddy, Frederik H. Green, Wei Menkus

Journal of Modern Literature in Chinese 現代中文文學學報

During no previous century in China’s long history has society experienced more profound and far-reaching changes than during that nation’s long twentieth century. The contact with Western modernity and institutional change during the late Qing dynasty, the end of dynastic rule and the birth of the Republic, the Pacific War and the Civil War, the founding of the People’s Republic of China (PRC), Taiwan’s gradual democratization and finally the era of opening and reform in China under Deng Xiaoping 鄧小平 (1904−97) and the ensuing economic rise are only some of the key historical events that have profoundly transformed Chinese society …

The Diaspora And The Nation : A Cultural Poetics Of Re-Membering In Lai Shengchuan’S Taiwan Trilogy, Jon Eugene Von Kowallis

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Frankenstein’S Migratory Subject : Under The Dome And Formosa Vs. Formosa, Chia-Ju Chang

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Lost At Home : Jia Zhangke’S Journey Toward Modernity, Wei Menkus

Journal of Modern Literature in Chinese 現代中文文學學報

In this essay, I take a close look at three of Jia’s films that have prominently engaged the topic of home in relation to place, identity, and nation: Still Life 三峽好人 (2006), 24 City 24城記 (2008), and A Touch of Sin 天註定 (2013). Set at the turn of the twenty-first century, these films employ various modes of representation concerning the reality of space. Still Life, a quiet and contemplative cinematic essay on change and obsolescence, tracks two strangers’ separate journeys to the Three Gorges city of Fengjie as they look for their missing spouses in the disappearing land. 24 City …

Too Intimate To Speak : Regional Cinemas And Literatures, Victor Fan

Journal of Modern Literature in Chinese 現代中文文學學報

In this essay, I look back at a moment in Chinese literature and cinema, the 1930s and 1940s, when writers, filmmakers, and critics were driven by a series of political crises to conceptualize the relationship between “mother language” and “national language” from a very different perspective than Song’s. I do so by scrutinizing film and literary criticisms from this period. A national language, literature, and cinema are not static, unified, and internally coherent entities that naturally subsume their regional counterparts under them. While Putonghua 普通話 (literally, common language) required—and still requires—an ongoing process of putong hua 普通化 (communalization), regional topolects, …

Gender Representations In Adaptations Of Foreign Literature In The Republican Period, Liyan Qin

Journal of Modern Literature in Chinese 現代中文文學學報

Chinese film The Heroine in the Besieged City 孤城烈女 (Gucheng lienü, 1936) is based on 19th-century French writer Guy de Maupassant’s (1850−93) story “Boule de Soif.” The Chinese version of Boule de Soif, like her French counterpart, is caught in a moral dilemma: should she surrender her body to a bad guy to save her fellow citizens? Both women choose to sacrifice themselves for others. However, the outcome and worthiness of the sacrifice in the Chinese film are just the opposite to those in the French literary source. Maupassant makes the girl’s sacrifice pointless and worthless by portraying the beneficiaries …

East, West And In-Between; Pass It On, Kam Fung, Sita Wong

Artists-in-Residence Programme : Exhibition Catalogues

East, West and In-Between

If art is a reflection of the creator, then Wong’s work is a visual collage of influences from East and West. She is interested in creating works where, within one piece, both cultures converse with one another not only through their traditions of material, form and craftsmanship, but also through their original cultural contexts. Her current work elaborates the local culture and craft traditions of Chinese pottery with a modernist and contemporary sense of design.

Pass It On

Clay, a material full of possibilities, is best to describe a class of uninitiated ceramics learners in the …

Hong Kong Ink Painting : Its Role In The Development Of Chinese Painting In The Second Half Of The Twentieth Century And Beyond, Hung Sheng

Theses & Dissertations

This research investigates the field of modern ink painting, in particular the advocacy of shuimohua (水墨畫, literally water ink painting) which appeared in Hong Kong in the mid-1960s. The research is based on textual materials such as artworks, writings, treatises, newspaper and periodical documentation, as well as interviews with artists or artists’ families.

Because of the emergence of numerous terms related to ink painting and ink art in recent decades, it is crucial to trace their origins in order to develop a foundation from which to understand the complexities of the field related to ink. The starting point chosen for …

The Visitation, Douglas Stichbury

Artists-in-Residence Programme : Exhibition Catalogues

The works in this catalogue were made to illustrate the uncensored 2012 edition of the novel Roadside Picnic by Boris and Arkady Strugatsky, originally published in 1972.

Works included were shown at Suite Gallery, Lingnan University, and Kunsthalle Brugg.

Collaboration Between Art Museums And Universities In Hong Kong : Benefits, Difficulties And Methods, Yi Zhu

Theses & Dissertations

Museums have the responsibility to meet the needs and expectations of audiences with different backgrounds, including families, students, adults and the elderly. However, the needs of higher education students can easily be overlooked in Hong Kong art museums because their age and educational background fall into different target segments. By the late twentieth century, learning opportunities for higher education students, especially those who were majoring in fine arts, art history and museum studies were inadequate in Hong Kong. In view of the increasing arts programmes offered by tertiary institutions in 2000s Hong Kong, art museums play an important role in …

Humorous Field - Field To Humour = 幽默地誌 - 地致幽默, Kwok Kin So

Artists-in-Residence Programme : Exhibition Catalogues

This is an experiment in spatial humour, and this assumption of humour can be applied to any urban space. Since this project starts with Lingnan University’s support of its Artist-in-Residence Program, it would seem appropriate to base the experiment around the university campus. Two straight lines were laid on the map of Tuen Mun. The lines extend to East-West through the ridge. The line to the South stretches across the valley and ends on the South coast. Two transects span a wide variety spaces and urban life in Tuen Mun. They would become the premises of this experiment. Exploring the …

World Cinema Beyond The Periphery : Developing Film Cultures In Bhutan, Mongolia, And Myanmar, Nis Grøn

Theses & Dissertations

According to UNESCO’s Universal Declaration on Cultural Diversity there exists a need in light of the “imbalances in flows and exchanges of cultural goods and services at the global level” to enable “all countries, especially developing countries and countries in transition, to establish cultural industries that are viable and competitive at a national and international level” (2001).

The dissertation explores ways in which viable cultural industries can be established in developing countries. More specifically, the focus is on the development of film industries in countries in transition. Three national film industries, examined in light of their historical development and contemporary …

Palimpsest, Mary Stephen

Artists-in-Residence Programme : Exhibition Catalogues

This interactive booklet features the “fictional documentary” Palimpsest directed and edited by Ms. Mary Stephen, Artist-in-Residence for 2nd Semester 2015/16, Lingnan University. Readers can understand more about Mary’s works by viewing videos she previously directed and scriptwritten, including A Very Easy Death, Labyrinthe, and Ombres De Soie.

To see the videos of Ms. Mary Stephen, you would need to use this booklet and your device:

Step 1: Download the free application Aurasma
Step 2. Start following marystephen
Step 3: Scan the images with [　]
Step 4: Tag once to view full screen and tag twice …

關於雨傘 : 創作、情感、記憶, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

這是一本關於雨傘運動、藝術創作與情感記憶的書。

Defining Community Art : Theoretical And Practical Reconstruction, Kei Shun, Samson Wong

Theses & Dissertations

This research investigates the area of practice commonly known as community art, defined to be where a gathering of people participates in facilitated collaborative art making aimed to be increasing their autonomy in generating artistic and social satisfaction and enrichment. This definition is a result of integrating existing research, literature, interviews with practitioners and analyses of their work. It is an interdisciplinary research conducted through a grounded methodology where data from practitioners and literature mutually inform to yield insights into a seemingly unstructured practice.

Seven interviewees were chosen to represent a coherent and recognized body of practice. They are practicing …

On Air, Hoi Yee, Debe Sham

Artists-in-Residence Programme : Exhibition Catalogues

The booklet features various artworks created by Ms. Debe Sham, Artist-in-Residence for 1^st Semester 2015/16, Lingnan University. These include The 3^rd Party, an interactive installation that incorporates galvanized zinc pipe with mirrors and pads, and the new Rainbow Series, with connected chairs created for ON AIR exhibition held during her residency at Lingnan. Readers can understand more about Debe’s works through various commentaries given by her mentors and members of Department of Visual Studies.

As part of the residency program, Ms. Debe Sham also taught 2015 Studio Practice Course, entitled Stepping Out: Form & …

後桃花源記 : 錦田-釜山藝術交流計劃 = In Search Of The Peachland : Art Exchange Project Between Kam Tin And Busan, C&G 藝術單位, Openspace Bae, Department Of Visual Studies, Lingnan University, Mudwork

Visual Studies Programme : Students’ Monographs

《後桃花源記》是一個涉及許多不同層次的交流計劃，當中包括來自韓國釜山和香港錦田的6個藝術單位(5位藝術家和1個藝術組合)、12位來自嶺南大學視覺研究系的學生。他們在2015年2月底前往韓國釜山參觀當地不同的藝術機構、藝術空間和藝術院校，與當中一些藝術家、策劃人和藝術學生對談。在交流過程中，大家都不難發現香港和釜山，這兩個遠離國家首都的沿海城市，所面對因城市發展和重建而產生的問題，均十分相似。在3月份，兩位來自釜山的藝術家:金大洪和金美英也進駐錦田。各藝術家與參與學生一起在錦田進行創作，並於2015年3月21和22日，把作品在地呈現，之後更以文獻方式在C&G藝術單位展示。

‘In Search of the Peachland’ is an art exchange project involving many different layers of idea exchanges amongst different parties: including 6 art units from Kam Tin and Busan (5 artists and 1 artist group), 12 students from the Visual Studies Department of Lingnan University. They went to Busan for a field trip in the end of February, 2015, to visit different art organizations and art students in Busan. During the trip, it was not difficult to find out that both Hong Kong and Busan also encounter similar problems, when undergoing intensive urban development and redevelopment. After the field-trip, …

Manifold Worlds, Ying Mui, Grace Tang

Artists-in-Residence Programme : Exhibition Catalogues

We start to know our world when we begin our existence, and we believe that the world is like what we see. But is the world we know the real world? It may just be a world of how we feel about the real world! We are born equipped with a set of sensors to perceive the world. Our perception of the world depends on these sensors. Other living things possess different sensors; they see their worlds differently from us and each other. Although we have different perceptions of the same world, we do exist in the same physical world. …

Tiget Heart : A Short Story, Wai Yin, Catriona O'Neil

Artists-in-Residence Programme : Exhibition Catalogues

As an illustrator, Cat O'Neil's work resolves around telling stories through metaphorical imagery. Tiger Heart is an exhibition of one of these stories, which centres on the topic of street harassment.

[More Information about the exhibition with supplementary video]

All the works shown in this book is under the copyright of Cat O'Neil. Do not copy or reproduce the work without prior consent (except for review purpose).

Postcards Between Friends : Collaborative Drawing And Creativity Pedagogy = 友愛明信片 : 協同繪畫與創意教學法, Carol Archer

Research Expression through Art : Visual Studies Faculty

Postcards between Friends, an exhibition of extraordinary postcards. They're real postcards, complete with stamps, postmarks, and wear and tear, but they're special in three ways. First, they are all hand-drawn. Second, every postcard is a collaboration between at least two people. And third, every postcard has been through the mail at least twice.

The process works like this. One artist starts a drawing and, without adding any verbal instructions or commentary, mails it to another. The second artist finds the postcard in her mailbox, completes the drawing, and mails it back to the sender. The results are surprising because …