Film and Media Studies Commons^™

Made In Movieland: Imitation, Agency, And Girl Movie Fandom In The 1910s., Diana Anselmo-Sequeira

Diana Anselmo-Sequeira

This article uses the key concept of imitation as a frame through which I explore the complex relationship established between a burgeoning American film press and the first generation of girls to be culturally construed as “adolescent” and “movie fans.” Interlacing early-twentieth-century psychology literature with commercial print sources and girls’ own fan testimonies, I set out to investigate the ways imitation became a source of agency for movie-loving girls at a time popular and scientific sources understood imitative behavior as both a mark of women’s intellectual inferiority and a product of female adolescent arrestment. The goal of this piece is …

Critical Insights: Film-Casablanca, James Plath

James Plath

From Salem Press:

Considered one of the greatest films of the twentieth century, Casablanca earned three Academy Awards (including Best Picture) and instant critical and commercial success following its release in 1942. Directed by Michael Curtiz and starring Humphrey Bogart and Ingrid Bergman, this romantic drama is still hailed for its all-star cast, exceptional screenwriting, and memorable soundtrack, and continues to be ranked as one of the greatest motion pictures ever made.

Film Literacy In The Primary Classroom, Marc Barrett

Marc Barrett

The recent move in Britain towards a nation-wide film literacy program to support young learners of English prompted ACER research into the use of film within Australian primary schools.

Selling The Bromance: Sensationalism Of The Mcavoy/Fassbender Relationship, Celia Lam, Jackie Raphael

Celia Lam

Britain Colonized: Hollywood's Appropriation Of British Literature, Jennifer Jeffers

Jennifer M. Jeffers

Britain Colonized analyzes how and why filmmakers use clichéd Hollywood formulas and American cultural standards when adapting British literature. The films discussed in this book are evidence of the way one nation remakes another, often in the image of itself or what it needs the Other to be (as the British Empire once did). Reterritorialization on the part of Hollywood manifests American cultural and capitalist hegemony over the English speaking world. Britain Colonized identifies the phenomena portending the future of British and Anglophone literary and cultural studies as a group of citations appropriated for American ends.

Heroines Of Film And Television: Portrayals In Popular Culture, Carol Savery, Maja Bajac-Carter, Bob Batchelor

Carol Savery

As portrayals of heroic women gain ground in film, television, and other media, their depictions are breaking free of females as versions of male heroes or simple stereotypes of acutely weak or overly strong women. Although heroines continue to represent the traditional roles of mothers, goddesses, warriors, whores, witches, and priestesses, these women are no longer just damsels in distress or violent warriors.

In Heroines of Film and Television: Portrayals in Popular Culture, award-winning authors from a variety of disciplines examine the changing roles of heroic women across time. In this volume, editors Norma Jones, Maja Bajac-Carter, and Bob Batchelor …

Screen Production Enquiry: A Study Of Five Australian Doctorates, Susan Kerrigan, Leo Berkeley, Sean Maher, Michael Sergi, Alison Wotherspoon

Michael Sergi

Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall development of the discipline. This paper will examine five recent doctorates in screen production practice at five different Australian universities. It will look at the nature of the films made, the research questions the candidates were investigating, the new knowledge claims …

Manual Of Arms, Kate Walker

Kate Walker

“Manual of Arms” is a video project of a choreographed performance where 16 women perform a series of moves based on drill routines. Questions are raised in the work about the roles and relationships between sports, gender and guns in this culture. The project involved weeks of rehearsal, culminating in a videoed performance involving students and faculty from the Department of Art.

Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano

Doreen M Piano

Before the storm, responses to graffiti writing and street art in New Orleans were typical of other urban environments where it was viewed as being “out of place” (Keith, 1999), “a spectacle of filth” (Conquergood, 2004), involving what Ferrell (1993, p. 37) describes as a “war of the walls.” David (2005) describes the political aspects of street art in New Orleans as “visual resistance” (p. 233), a term that captures relations of power among graffiti producers, their products, and the effects of their actions (p. 233). However, attempts to eliminate graffiti and street art by enforcing stricter penalties, encouraging neighborhood …

Zombies In The Academy: Living Death In Higher Education, Ruth Walker, Christopher Moore, Andrew Whelan

Christopher L Moore Dr

No abstract provided.

The Stars Of David, Eric B. Millman

Eric B Millman

The Stars of David is based on the true story of a woman whose love of baseball stood above all. Set in the midst of the Great Depression, Jackie Austin, disgusted by the chauvinistic expectations of her impoverished father, sets off on her own to play for whatever team that will have her. That team proves to be the barnstorming House of David Baseball Club, an ascetic religious commune struggling to regain past glory after a decade of tragedy and shame. Outsiders and freaks to the rest of the world, these new "Stars" of David must learn to work together …

The Frescoes Of Castelseprio, John Hatch

John G. Hatch

No abstract provided.

Futurism: Movement And The Structure Of Reality, John Hatch

John G. Hatch

No abstract provided.

Michelangelo's Last Judgment And 'Le Segrete Cose', John Hatch, J. Curtis

John G. Hatch

No abstract provided.

Giacomo Balla's Linea Di Velocita (1913), John Hatch

John G. Hatch

No abstract provided.

Julian Haladyn: Portable Tea Ceremony Performance At The University Of Western Ontario, London, Ontario, May 16, 2000, John Hatch

John G. Hatch

No abstract provided.

A Legacy Of Persuasion: Japanese Photography And The Artful Politics Of Remembering Manchuria, Kari Shepherdson-Scott

Kari L Shepherdson-Scott

No abstract provided.

Social Media And Youth Protests: Facebook Use In Hong Kong's National Curriculum Debate, Celia Lam

Celia Lam

Sound In Film, John A. Duvall

John Duvall

Thinking Through Film: Doing Philosophy, Watching Movies, Damian Cox, Michael Levine

Damian Cox

An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike.

Working With The Pr Industry, Jane Johnston

Jane Johnston

From wearing out shoe leather to the latest technologies, Journalism Research and Investigation in a Digital World helps journalism students and journalists who are embarking on their careers learn how to conduct complex investigations. It recognises that journalists need to develop skills that will enable them to work across a range of media platforms, while adapting to the new technology that will help them locate, interpret and package information in a faster, more efficient way.

Breaking Bad As Theological Text: A Process-Theological Reflection On Theodicy And Anthropodicy, Brent Hege

Brent A. R. Hege

The recently-wrapped AMC megabit Breaking Bad (set and filmed in Albuquerque) has challenged viewers to reevaluate their assumptions about good and evil, freedom and determinism, and the possibility of redemption. Walter White, the protagonist and postmodern anti-hero, is a mild-mannered high school chemistry teacher and family man who is diagnosed with terminal cancer. To provide for his family after his death, he enters the crystal meth underworld, eventually securing for himself a vast underground empire and a new persona as "Heisenberg." Over the course of five seasons White makes a series of choices that implicate him in deception, betrayal, and …

Framing Farming: Communication Strategies For Animal Rights, Carrie P. Freeman

Carrie P. Freeman

Sanctuary [Screenplay], John A. Duvall

John Duvall

Ghost Dance [Screenplay], John A. Duvall

John Duvall

Easy Livin' [Teleplay], John A. Duvall

John Duvall

The Big Itch [Screenplay], John A. Duvall

John Duvall

Prelude [Screenplay], John A. Duvall

John Duvall

Shantytown Vistas And Immigrant Voices: Bernardo Verbitsky, Guaraní Language And The Art Of Overcoming Peronism, Stephen Buttes

Stephen M Buttes

This was an invited presentation at a conference of Indiana professors who specialize in research on Latin America. The conference was hosted by the Minority Languages and Literature program at Indiana University, Bloomington. I gave a version of what was then a forthcoming paper on Bernardo Verbitsky's novel Villa Miseria también es América. The entire essay can be read at the following link: http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/revista_de_estudios_hispanicos/v047/47.2.buttes.html

The Skin I'M In - A Documentary By Broderick Fox, Cathi Milligan

Broderick Fox

No abstract provided.