Feminist, Gender, and Sexuality Studies Commons^™

Gender, Religion And Patriarchy: The Educational Discrimination Of Coastal Madurese Women, East Java, Sudarso Sudarso, Phillipus Edy Keban, Siti Mas’Udah

Journal of International Women's Studies

One of the educational development problems is the gap in the quality of education between regions and community groups, as well as gender. This article has examined gender, religion, patriarchy and the educational discrimination faced by coastal women who are a part of the Madura culture in East Java. This study employed a qualitative approach by interviewing 70 informants who consisted of school dropouts, the parents of daughters who had dropped out, teachers, and community leaders. This study found there to be several key findings. In the Madura culture, the concept of gender for women is always associated with the …

W()Men, Natalia M. Keogan

Capstones

W()MEN is a short documentary that examines the horror movie genre and the way that it focuses on women’s bodies. It integrates talking head interviews, clips from over 50 horror films, and narration in order to critically examine how women’s bodies have been portrayed as monstrous within the genre.

nataliakeogan.com/thesis-film

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

"We Neither Are Of The Past Nor Of The Future" : Analyzing The Two Opposing Aspects Of A Female Character Through Four Modern Works Of Persian Fiction", Ronak Karami

Journal of International Women's Studies

Under Iran’s growing contact with the West from 1925 until 1979, which caused cultural changes, modern writers were stuck between two realities: the vanishing culture of the past with its unified view of women and the modern Western-oriented culture of the present with its doubting, ironic, and fast-changing view of women. Both labels, the ‘ethereal’ (or inaccessible paragon) and the ‘whore’ (or accessible temptress) for female characters emerged in a major literary work of the 20th century in Iran, The Blind Owl (1937), by Hedayat due to these cultural changes. Furthermore, the labels appeared within some later modern Persian fictional …

Negotiating With Patriarchy: Women, Sexuality, And Power In Yoruba Sacred Oral Genres., Ajoke Adebisi

FIU Electronic Theses and Dissertations

This study argues that Yoruba oral genres offer women models “of “and “for” ways of enduring resistance from patriarchy. In the myths, proverbs and praise poems, women challenge marginalization in ways incomparable to what prevails in other world religions. By engaging Yoruba oral genres, this study offers insights into how the Yoruba reflect on sharing of power among the male and the female. The study also highlights how Yoruba oral genres speak to the power imbalance in male /female relationships and sheds light on the prescriptions oral genres offer women for negotiating these imbalances.

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …