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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Fine Southern Gentlemen: The Three Beaux Of Edna Pontellier, Keli Masten
Fine Southern Gentlemen: The Three Beaux Of Edna Pontellier, Keli Masten
The Hilltop Review
Much of the literary criticism on Kate Chopin’s The Awakening has focused upon the main character, Edna Pontellier, and her journey of self-discovery, but the surrounding cast is rich with personalities as diverse and enlightening as Edna’s own. While most of the characters seem clearly defined as to their values, desires, and how they reconcile any dissonance they might face, and Edna Pontellier might seem like the only person suffering the torment of this discord, each character is actually negotiating a careful playing field replete with rules, regulations, and strict penalties if one is to run afoul. This essay explores …
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
Electronic Theses and Dissertations
This study examines three autobiographical texts written in post-World War II America (1959-1973) that take as their subject a straight white man’s reflection on and engagement with the exercise of male power and the forces, both internal and external, that shape the degree to which he is “self-made,” i.e., an autonomous agent able to exert his will within a life domain (domestic, public, and war). Each of these writers engages in surveillance not solely of their own power, but also of the men who influence their experience, using their observations to critique, assert, and question the gendered realities and expectations …
Rebooting Masculinity After 9/11: Male Heroism On Film From Bush To Trump, Owen R. Horton
Rebooting Masculinity After 9/11: Male Heroism On Film From Bush To Trump, Owen R. Horton
Theses and Dissertations--English
Conceptions of masculinity on film shifted after the September 11, 2001 terrorist attacks from representations of male heroism as invulnerable, powerful, and safe to representations of male heroism as resilient, vengeful, and vulnerable. At the same time, the antagonists of these films shifted towards representations as shadowy, unknowable, and disembodied. These changing representations, I argue, are windows into the anxieties Americans faced in the aftermath of the attacks. The continuing presentation of power as linked to violence, however, illustrates the ways in which conceptions of masculinity have stayed the same.