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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Negotiating The Politics Of Representation In Iranian Women’S Cinema Before And After The Islamic Revolution, Alshaatha Sultan Al Sharji
Negotiating The Politics Of Representation In Iranian Women’S Cinema Before And After The Islamic Revolution, Alshaatha Sultan Al Sharji
Graduate Theses and Dissertations
From Mahvash, the Iranian entertainer who sang and danced coquettishly in numerous Iranian films that were produced before the Islamic revolution of 1979, to the skateboarding vampire girl who makes a feast out of abusive men in Ana Lily Amirpour’s A Girl Walks Home Alone at Night, the representation of Iranian women on screen has changed drastically. This comparative study focuses on the politics of representation of Iranian women in the cinema before and after the Islamic revolution, with the aim of deconstructing the readily-available notions of women’s oppression in Iran. It analyzes the works of female Iranian directors Forough …
“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell
“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell
Graduate Theses and Dissertations
Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …