Open Access. Powered by Scholars. Published by Universities.®
Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Jane Austen (3)
- Literature (3)
- Women (3)
- Eighteenth-century (2)
- Gothic (2)
-
- Pedagogy (2)
- Prostitution (2)
- Social sciences (2)
- Venereal disease (2)
- 18th-century British literature (1)
- British literature (1)
- Charlotte Lennox (1)
- Charlotte bronte (1)
- Child development (1)
- Christ (1)
- Detective (1)
- Dissertation (1)
- Early modern society (1)
- Early modern women (1)
- Education (1)
- Eighteenth century (1)
- Eliza Haywood (1)
- Elizabeth gaskell (1)
- Fantomina (1)
- Feminism (1)
- Feminist (1)
- Frances Burney (1)
- Garden (1)
- Gender (1)
- Ghosts (1)
- Publication
-
- Graduate Theses and Dissertations (2)
- All Graduate Theses, Dissertations, and Other Capstone Projects (1)
- Anne E Fernald (1)
- Chancellor’s Honors Program Projects (1)
- Doctoral Dissertations (1)
-
- Faculty Publications, English and Comparative Literature (1)
- Honors Theses (1)
- Katherine D. Harris (1)
- Master of Liberal Studies Theses (1)
- Melanie E Osborn (1)
- Publications and Research (1)
- Samuel Solomon (1)
- Senior Projects Spring 2012 (1)
- Studies in Scottish Literature (1)
- Undergraduate Review (1)
- Publication Type
- File Type
Articles 1 - 16 of 16
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel, Amy Hodges
Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel, Amy Hodges
Graduate Theses and Dissertations
This dissertation explores the intersection of sensibility, Social identity, and literacy practices among representations of women readers in four late eighteenth-century British novels. Through an analysis of the authors' use of identity constructs which shaped and were shaped by reading practices, this study documents the rise of Social identity formation as mutually constitutive with the history of reading. The first chapter reveals how Charlotte Lennox's The Female Quixote uses Arabella's follies as education for readers about the corresponding processes of reading their society and reading novels. The second chapter argues that Frances Burney's Evelina considers women's ability to read others …
On Editing The Merry Muses, Valentina Bold
On Editing The Merry Muses, Valentina Bold
Studies in Scottish Literature
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.
The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn
The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn
Melanie E Osborn
Resembling the mercurial, black beauty mark used as an ornamental concealment of syphilitic sores, Jane Austen’s comedy of manners likewise acted as a superficial cosmetic device that concealed the ubiquity of venereal disease and prostitution hidden within. Through her characters, Austen used veiled narrative to highlight the reality of venereal disease and prostitution in eighteenth-century England. This thesis uncovers the hidden narrative in Jane Austen’s novels, as a means of better understanding the impact venereal disease and prostitution had on sexual issues with women and the female body during the eighteenth century. Beginning with an almost comic reference to venereal …
Rape And The Feminine Response In Early Modern England And Several Shakespearean Works, David Alexander Bernard
Rape And The Feminine Response In Early Modern England And Several Shakespearean Works, David Alexander Bernard
Chancellor’s Honors Program Projects
No abstract provided.
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Doctoral Dissertations
Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …
The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn
The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn
Master of Liberal Studies Theses
Resembling the mercurial, black beauty mark used as an ornamental concealment of syphilitic sores, Jane Austen’s comedy of manners likewise acted as a superficial cosmetic device that concealed the ubiquity of venereal disease and prostitution hidden within. Through her characters, Austen used veiled narrative to highlight the reality of venereal disease and prostitution in eighteenth-century England. This thesis uncovers the hidden narrative in Jane Austen’s novels, as a means of better understanding the impact venereal disease and prostitution had on sexual issues with women and the female body during the eighteenth century. Beginning with an almost comic reference to venereal …
Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox
Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox
Graduate Theses and Dissertations
Jane Austen, Elizabeth Gaskell, Charlotte Brontë, and Henry James challenged patriarchal conventions and assumptions by redefining womanhood and marriage in their novels, particularly by breaking from the traditional marriage ending. While Pride and Prejudice, North and South, and Jane Eyre end in marriage, these novels depict a freely chosen companionate marriage based on equality; Villette replaces the typical marriage ending with complete independence; and Washington Square and The Portrait of a Lady both portray the decisive rejection of the marriage ideal for a life of renunciation. This thesis analyzes the ways in which these novels challenge nineteenth-century society, as well …
Wounded Women, Varied Voice, Kathryn Johnston
Wounded Women, Varied Voice, Kathryn Johnston
Undergraduate Review
Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …
Literary Annual, Katherine D. Harris
Literary Annual, Katherine D. Harris
Faculty Publications, English and Comparative Literature
No abstract provided.
Literary Annual, Katherine D. Harris
"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits
"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits
Senior Projects Spring 2012
A multidisciplinary project that combines original empirical research with an analysis of two Modernist novels, The Waves by Virginia Woolf and A Portrait of the Artist as a Young Man by James Joyce.
Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum, Anna Brovold
Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum, Anna Brovold
All Graduate Theses, Dissertations, and Other Capstone Projects
Aemilia Lanyer used her collection of poetry, Salve Deus Rex Judæorum to redefine the way that women should look at themselves in the eyes of God. She began her collection with poems dedicated to women that she had deemed virtuous and worthy of individual attention. Her dedicatees were then presented to her readers as the true Disciples of Christ; an honor due to women because of their empathy for Christ's situation. Lanyer rewrote the biblical Passion story in order to include a feminized version of Christ, the rightful female Disciples of Christ and an additional trial presented to Pontius Pilate …
`The Only Beguiled Person?': Accessing Fantomina In The Feminist Classroom., Kate Levin
`The Only Beguiled Person?': Accessing Fantomina In The Feminist Classroom., Kate Levin
Publications and Research
This article explores how Eliza Haywood's 18th-century novella Fantomina serves as an allegory for the challenges of maintaining a feminist classroom.
Mediums Change, Fears Stay The Same, Lucy Wilhelms
Mediums Change, Fears Stay The Same, Lucy Wilhelms
Honors Theses
Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?
In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …
Woolf And Intertextuality, Anne Fernald
Reproducing The Line: 1970s Innovative Poetry And Socialist-Feminism In The U.K., Samuel Solomon
Reproducing The Line: 1970s Innovative Poetry And Socialist-Feminism In The U.K., Samuel Solomon
Samuel Solomon
This dissertation considers the experimental group of ""Cambridge poets"" in the 1970s and explains how and why their somewhat obscure body of work was a battleground for cultural politics. I focus on the writing of women who bridged Cambridge poetry and socialist-feminist politics even as they worked at the margins of both communities. I argue that this poetry took shape at a unique conjuncture – the history of literary study at Cambridge, the varied British reception of Marxist thought and political action, the rise of Conservatism, and the increasing influence of feminism – that made radical poetics a hotly contested …