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Feminist, Gender, and Sexuality Studies Commons

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Articles 1 - 3 of 3

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Imagining Sri Lanka, Derick Kirishan Ariyam May 2010

Imagining Sri Lanka, Derick Kirishan Ariyam

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Analyzes the works of three Sri Lankan expatriates, the writers, Shyam Selvadurai and Michael Ondaatje, and the artist, M.I.A., giving particular attention to Selvadurai's Funny Boy and Ondaatje's Running in the Family, Anil's Ghost, and The Cinnamon Peeler. Though all three have been charged as "inauthentic" due to their dislocated positions, uncovers the various productive and complicated ways Sri Lanka has been configured by those outside its shores.


Dismantling The Cult Of Manliness, Peter Capalbo May 2010

Dismantling The Cult Of Manliness, Peter Capalbo

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the argument that several of Virginia Woolf's male characters, including Septimus Smith, Mr. Ramsay, and Bernard (in The Waves), challenge traditional male gender expectations in Britain after World War I. Examines Woolf's use of the concept of manliness in structuring her novels and her presentation of a series of men who do not conform to the British ideal of masculinity and who, thereby, allow her to expose the multiple fallacies of that ideal and a culture supported by such a concept. Posits that Woolf's work suggests that a new, more inclusive, understanding of gender is an important first step …


Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel Jan 2010

Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel

CMC Senior Theses

Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. …