Feminist, Gender, and Sexuality Studies Commons^™

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�

Queer Studies In Asia, Paisley Currah

Center for LGBTQ Studies (CLAGS)

How does research about diverse sexualities and genders circulate through Asia? How do linguistic barriers affect the flow of local and regionally produced knowledges? Who calls the shots, defines the agenda, decides who gets published? How can we create more venues for South-South dialogues?

Digging City's History: Finds Show A Black Middle Class Had Once Thrived On Beacon Hill, Jenna Russell

African Diaspora Archaeology Newsletter

No abstract provided.

Online Exhibition By The Museum Of African Diaspora, Modou Dieng, Lauren Woods

African Diaspora Archaeology Newsletter

No abstract provided.

Review Of "Foul Means: The Formation Of A Slave Society In Virginia", Michelle Lemaster

African Diaspora Archaeology Newsletter

No abstract provided.

Free Frank Leaves Descendants A Legacy Of Freedom, Deborah Gertz Husar

African Diaspora Archaeology Newsletter

No abstract provided.

African-American History Museum Opens Doors, Margaret Horton Edsall

African Diaspora Archaeology Newsletter

No abstract provided.

Blacks Pin Hope On Dna To Fill Slavery's Gaps In Family Trees, Amy Harmon

African Diaspora Archaeology Newsletter

No abstract provided.

Pan-African History: Political Figures From Africa And The Diaspora Since 1787, Hakim Adi, Marika Sherwood, Robert Trent Vinson

African Diaspora Archaeology Newsletter

No abstract provided.

Twentieth Century Economics Of Child-Rearing In Japan, Michele Gibney

Michele Gibney

In order to explain the falling Total Fertility Rate (TFR) in Japan, it is necessary to look at the social factors affecting women and raising children in Japan. By examining historical factors surrounding women in Japan—their education, their presence in the workforce, and the cultural stigmas attached to their stereotypical representation—I will attempt to describe the deteriorating TFR in Japan as an economic problem with political and social repercussions. In conclusion I will also try to provide a prognosis and a recommendation for a solution.

Traditional Tropes And Familial Incest In Banana Yoshimoto’S Kitchen, Michele Gibney

Michele Gibney

Kitchen, written in 1983, by Banana Yoshimoto, contains one novella and one short story. The novella is entitled Kitchen and the short story which follows it is called Moonlight Shadow. In Moonlight Shadow, the structure of a Japanese Noh drama enfolds, wherein the ultimate end of the main character is to live on in a semi-incestuous relationship with her dead boyfriend’s brother. In Kitchen, the images that one is assailed by are those of desire coexisting with food, and love contingent on incest. The idea of food as a comfort conflates into that of a woman as comforting.

These two …

'Listen, Rama’S Wife!’: Maithil Women’S Perspectives And Practices In The Festival Of Sāmā-Cakevā, Coralynn V. Davis

Faculty Journal Articles

As a female-only festival in a significantly gender-segregated society, sāmā cakevā provides a window into Maithil women’s understandings of their society and the sacred, cultural subjectivities, moral frameworks, and projects of self-construction. The festival reminds us that to read male-female relations under patriarchal social formations as a dichotomy between the empowered and the disempowered ignores the porous boundaries between the two in which negotiations and tradeoffs create a symbiotic reliance. Specifically, the festival names two oppositional camps—the male world of law and the female world of relationships—and then creates a male character, the brother, who moves between the two, loyal …