Feminist, Gender, and Sexuality Studies Commons^™

Dancing In The Diaspora: Remembering The Devadasis, Teresa Hubel

Teresa Hubel

Introduction:

In Canada, the classical dance bharatanatyam is both greater and less than an art form, greater because, unlike more common forms such as ballet or jazz dance, it offers its practitioners and its spectators something more than an opportunity to experience art or to be the vehicle for its expression, and less because what it offers along with its art is ethnicity. And in our multicultural society anything tagged as ethnic is caught in an intricate web of exaltation and denigration: by the very act of its celebration, which is frequently state-sponsored and state-endorsed, ethnicity is cast outside and …

Perspectives On Identity, Migration, And Displacement, Steven Tötösy De Zepetnek, I-Chun Wang, Hsiao-Yu Sun

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Perspectives on Identity, Migration, and Displacement -- edited by Steven Tötösy de Zepetnek, I-Chun Wang, and Hsiao-Yu Sun (Kaohsiung: National Sun Yat-sen University Press, 2010. ISBN 9789860235418 209 pages, bibliography, index) is a collection of articles about sociological and literary aspects of identity formation as a consequence of (im)migration. (Im)migration results in the problematics of assimilation and hybridity and in postcolonial scholarship, in particular, attention is paid to the concept of migration termed "Creolization" on the ground that cultural contact, cultural transmission, and cultural transformation result in the creation of new cultures. Copyright release by National Sun Yat-sen University to …

"'Mira, Yo Soy Boricua Y Estoy Aquí': Rafa Negrón's Pan Dulce And The Queer Sonic Latinaje Of San Francisco", Horacio N. Roque Ramirez

Horacio N Roque Ramirez, Ph.D.

For a little more than eight months in 1996–1997, Calirican Rafa Negron promoted his queer Latino nightclub “Pan Dulce” in San Francisco. A concoction of multiple genders, sexualities, and aesthetic styles, Pan Dulce created an opportunity for making urban space and claiming visibilities and identities among queer Latinas and Latinos through music, performance, and dance. Building on the region’s decades-old lgbt/queer history, and specifically diasporic queer Puerto Rican and Caribbean cultures, Pan Dulce became a powerful site for latinaje: the multilayered hybrid process of creating Latina and Latino worlds and cultures from below. In the context of HIV and AIDS, …