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Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Still Unfathomed Trans+Oceanic, Daze Jefferies
The Still Unfathomed Trans+Oceanic, Daze Jefferies
The Goose
For centuries, violence against mermaids has coexisted alongside slippery sexualizations in much of Newfoundland’s folk and popular cultures. This is demonstrated most grievously in colonist Richard Whitbourne’s 1620 text, A Discourse and Discovery of Newfoundland. The fishy reality of simultaneous disposability and desirability also mirrors the life histories of trans women and sex workers in the capital port city of St. John’s. Imagining mermaids as trans and sex-working ancestors in a province that has been structured by ecologies of fish trade, this work of research-creation drifts through precarious survival in the North Atlantic.
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
CLCWeb: Comparative Literature and Culture
In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …
Toward A Crip Provenance: Centering Disability In Archives Through Its Absence, Gracen M. Brilmyer
Toward A Crip Provenance: Centering Disability In Archives Through Its Absence, Gracen M. Brilmyer
Journal of Contemporary Archival Studies
Using the records that document the 1893 World’s Columbian Exposition as a case study, this article discusses the messiness and unknowability of provenance. Drawing attention to how the concept of provenance can emphasize the reconstruction of a fonds when records have been moved, rearranged, and dispersed, this article draws attention to the ‘curative’ and ‘rehabilitative’ orientations of established notions of provenance. Put in conversation with disability studies scholarship, which critiques rehabilitating, curing, and restoring, this article outlines the theoretical scaffolding of a crip provenance: a disability-centered framework of resisting the desire to restore and instead meets records where they are …