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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Gilda's Gowns, Rachel Ann Wise
Gilda's Gowns, Rachel Ann Wise
AWE (A Woman’s Experience)
Critics have overanalyzed the portrayal of the femme fatale in film noir as female ruthless seduction in attempts to overpower men. However, a paramount aspect of the femme fatale has been under analyzed—women’s use of and exploitation of fashion. In film noir, Gilda particularly showcases the importance of fashion in the film’s plot. Gilda’s undressing and dressing in the film signifies the multifarious personalities and complexity of the femme fatale character. In understand Gilda’s character via her diegetic, fashionable, and mutable clothes, the femme fatale is exposed as a complex being defying stereotype by the variety of her wardrobe, but …
The Feminine Peter Pan, Felicia Jones
The Feminine Peter Pan, Felicia Jones
AWE (A Woman’s Experience)
Cross-casting in performances has effected outrage and social dilemmas in audiences, despite the important cultural messages those characters display. Since its beginning as a play, women have been cast as the young boy Peter in Peter Pan. J.M. Barrie wrote Peter Pan through inspiration from the young deaths of his brother and childhood friend, who will always remain in their youth. In order to capture that youthful innocence, females have been cast as Peter. This choice in casting was also made to achieve androgyny and transcend gender by blurring gender lines.