Feminist, Gender, and Sexuality Studies Commons^™

Resilient Russian Women In The 1920s & 1930s, Marcelline Hutton

Zea E-Books Collection

The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times.

The Russian Revolution launched an economic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women’s social, sexual, economic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation …

Women Surrealist Photographers And Their Response To The Objectification Of Women In Male Surrealist Art, Lois X. Nguyen

Undergraduate Research Posters

Objectification of women in Male Surrealist art depicted the male gaze in its darkest form, through the ideas of the uncanny, fetish, and convulsive beauty. Women were treated as objects throughout Surrealist photography and painting instead of as human subjects. Their femininity and beauty were valued to the extent of held belief that a woman’s destiny is to be beautiful and be present for the male gaze. Women Surrealists have gained notoriety in the last sixty years for their presence in the Surrealist movement and for their diligence in providing the female perspective in opposition to the male perspective.

This …

Queer Mysticism In The High Middle Ages: Pain, Love, Earth, And The Female Body In The Illustrations Of Hildegard Of Bingen’S Scivias, Becky Bushnell

Undergraduate Research Posters

Many view Hildegard of Bingen as one of the most important female theologians of the 12th century, and her writing and sphere of influence is remarkable considering her gender. Many scholars, like Barbara Newman, Caroline Walker Bynum, and Carolyn Worman Sur, agree that Hildegard’s portrayals of God in Scivias are distinctly feminine. Scholars like Karma Lochrie, Sheryl Chen, and Flora Lewis have written on Christ’s wound as a metaphor for the womb or vulva. Yet what scholars don’t seem to focus on, as Lochrie writes in “Mystical Acts, Queer Tendencies,” is the ways that the work of many female mystics …