Feminist, Gender, and Sexuality Studies Commons^™

Whose Story? His-Story., Meghan E. O'Donnell

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The essay instructions finally landed in front of me. I passed the extra sheets on and quickly glanced over the page, hoping that the prompt would be inspiring. There were two open-ended options from which to choose: military and social/political aspects of the war. My eyes first fell upon the social option and I pondered using this opportunity to shed light on the experiences of women during the war. I’d done this before – used assignments to explore history’s untold stories – and found it interesting. Then, in a fit of frustration that erupted out of nowhere, I thought to …

Attempting To Reason In The Holiday Season, Anonymous

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Every year on the fourth Thursday of November, I sit down with my extended family to heaping dishes of mashed potatoes, sleekly polished bowls of green bean casserole, overflowing gravy boats, and, of course, a crackling turkey fresh from the oven. Without a doubt, my relatives and I have a lot for which to be thankful. [excerpt]

Respiration: Breathing Between The Stacks, Jerome D. Clarke

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How rare are we, who brandish Black and Male identity, in Academia?

In the past two weeks, I have been reminded of my Black maleness in a multitude of ways. I sat alone, subordinate in number, in a dialogue about Internalized Oppression at Diaspora House. Strong women of color discuss this issue while I work to stay respectful and non-oppressive in this space. I sat alone, subordinate in number, in each of my classes, where I am often the only one of my race and class. My race-gender circumstance is a matter of fact to me. How does this Black …

Brooks Better Not Come Back, Helena E. Yang

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Every time a new season of the Bachelorette starts, I tell myself that I won’t watch this season—that I won’t give in to the trashiness and the petty drama which is the Bachelor. But I can’t help it. Season after season I’m hooked and 17 seasons later… here I am. [excerpt]

Style Watch: Blackface Edition, Rashida Aluko-Roberts

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The above quote is from a statement/apology offered by Sebastian Kim, a photographer, whose recent editorial, “African Queen,” which featured a 16-year-old white female made to appear black, was marred with controversy. According to the photographer, dousing a young white female in deep bronze, accessorizing her in elaborate head wraps and heavy jewels (symbols that are often associated with Africa), was in no way an attempt to depict what an “African queen” looks like. Rather, his spread was attempting to showcase “the beauty aesthetic of his shoot” by using a “tanned or golden skin” model. [excerpt]