Feminist, Gender, and Sexuality Studies Commons^™

Neurodiversity In Sense And Sensibility And Emma: Jane Austen’S Heroines And Their Cognitive Difference, Alexandra Sausa

Masters Theses

There is a dearth of criticism that analyzes Jane Austen’s characters through the lens of neurodivergence — that is, an umbrella term for neurological difference, or behavior and cognitive processing that differs from what is “typical”. Although Austen has male characters that have been read as neurodivergent, this thesis will principally focus on two of Austen’s neurodivergent heroines: Marianne Dashwood and Emma Woodhouse. To support neurodivergent interpretations of these heroines, I will supplement close readings of Sense and Sensibility and Emma with social science and psychological literature. Marianne exhibits numerous traits that characterize Autism Spectrum Disorder (ASD), and Emma exhibits …

An Economy Of Care: George Eliot's Middlemarch And Feminist Care Ethics, Madison V. Newman

Masters Theses

This thesis assesses the centrality of care relationships in George Eliot’s Middlemarch and, by doing so, seeks to provide a nuanced understanding of individual and collective morality. Using the ethics of care as a methodological framework to acknowledge the importance of care acts and successful care relations – especially those complicated by the presence of dichotomized socioeconomic hierarchies – will allow readers to engage more fully with this text, its author, her relations, her characters, and the community of readers; reading Eliot’s work from this lens will allow us to validate every interaction, every thread of connectedness, and every act …

I Am Woman: The Complicated Relationship Between Fairy Mistresses, Virgin Martyrs, And The Medieval Patriarchy, Katherine A. Haire

Masters Theses

While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we can still reflect upon the ways in which they both circumvented and upheld the typical patriarchal discursive structure which dominated the Middle Ages. A cross-genre examination of virgin martyred saints and fairy mistresses will illuminate significant overlap in the treatment of magic and divine intervention and the typical female portrayal in these circumstances. Saint’s Lives and Medieval Romances occupy significantly distinct spaces in the popular literary consciousness of the High and Late Middle Ages; however, both genres offer moral instruction for the women who …

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark

Masters Theses

Queer theory predominantly aligns normative relations to normative experiences of time and connects queer affiliations to queer temporal spaces. Heterosexuality, marriage, sexual reproduction, and the family are hallmarks of normative temporality, as they enact and maintain a progressive, future-oriented, genealogical timeline. However, normative attachments do not always follow queer theory’s narrative of straight time. Closely observing the structure of normative relationships and, in terms of my study specifically, marriage, uncovers assumptions constructing the constitution of normative temporality. I discuss queer theoretical works by Lee Edelman, Jack Halberstam, José Esteban Muñoz, and others to see how current theories typically oversimplify normative …

Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang

Masters Theses

Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …

Healing In The Works Of Elizabeth Goudge, Elizabeth Langford

Masters Theses

Elizabeth Goudge’s fictional works are worthy of further academic consideration. Using the context of Goudge’s persuasive endeavor to provide a framework to conceptualize the healing of the soul, this paper explores the characters who heal and the characters who experience healing, and the practices that these characters engage in, using Goudge’s The Eliots of Damrosehay Trilogy, also published as Bird in the Tree, Pilgrim’s Inn (or Herb of Grace) and Heart of the Family, and The Rosemary Tree. Although Goudge had no professional training in psychology, her characters engage in what today would be labeled …

Performative Gender And Pop Fiction Females: "Emancipating" Byronic Heroines Through A Feminist Education, Joy Smith

Masters Theses

"I can be a regular bitch. Just try me." With this phrase emblazoned across her t-shirt, Lisbeth Salander, pierced, tattooed, and bedecked in leather, waltzes from the pages of Stieg Larsson's The Girl with the Dragon Tattoo. This woman who subverts authority, maliciously tattoos and sodomizes a man, and intentionally distances herself from close relationships of any kind has somehow managed to capture both the attention and admiration of the American audience. This disheartening phenomenon stems from a renewed interest in the Byronic heroine, a female possessing those traits traditionally assigned to Byronic heroes and men, and the rise of …

Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson

Masters Theses

A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …

Queering The Sublime: Virginia Woolf, Sexology, And Sexuality, Emily Whitmore

Masters Theses

Using Virginia Woolf's novels, The Voyage Out, Mrs. Dalloway, To the Lighthouse, and Orlando, I begin to explore moments where the characters experience the sublime as defined by Edmund Burke. Woolf uses the traditional sublime, but complicates the concept beyond its initial intention. The moments that mimic the sublime, but include the body, the natural world, and artistic creativity grows into what I will call the "queer sublime," which is new for both Woolf scholarship and for the sublime. Woolf's experimentation with the term and part of the "queer sublime" also helps to create a different …

An Implacable Force: Caryl Churchill And The “Theater Of Cruelty”, Kerri Ann Considine

Masters Theses

Churchill’s plays incorporate intensity, complexity, and imagination to create a theatrical landscape that is rich in danger and possibility. Examining her plays through the theoretical lens of Antonin Artaud’s “theater of cruelty” allows an open investigation into the way that violence, transgression, and theatricality function in her work to create powerful and thought-provoking pieces of theatre. By creating her own contemporary “theater of cruelty,” Churchill creates plays that actively and violently transgress physical, social, and political boundaries.

This paper examines three of Churchill’s plays spanning over thirty years of her career to investigate the different ways Churchill has used concepts …

The Mermaid's Dress: Marriage And Empire In The Voyage Out And Mrs Dalloway, Melissa Wharton-Smith

Masters Theses

This thesis examines how socio-historical influences shape the protagonists of Virginia Woolf’s The Voyage Out (1915) and Mrs. Dalloway (1925)-- Rachel Vinrace and Clarissa Dalloway. During the writing of these two novels, attitudes about roles for women before and after World War I shifted as pre-war domestic strife was replaced by a post-war push to return to normalcy. Throughout the period, imperialist ideology demanded that women conform to traditional gender roles by marrying and reproducing. Woolf depicts this pressure as it affects her two protagonists.

In The Voyage Out, the British Empire's imposing presence is exhibited through the setting of …

Are They Fact Or Are They Fiction? The Sadeian Women Of Angela Carter, Catherine Gall

Masters Theses

Angela Carter is well-known for her gothic twists on fairy tales and the use of magical realism in creating alternate worlds and monstrous creatures that exist within our own. The meaningful "twists" that her tales take often have to do with gender, reversing traditional roles and transcending barriers. In her fiction, Carter creates characters and scenes that often include "traditional" roles, displaying an awareness of the sexual stereotypes that have been in place for centuries. Her female characters offer a complex commentary on the patriarchal standard that suggests that a woman's value is dependent upon her virginity.

Her book The …

A Woman Alone And Writing: Anti-Ideology And Artistic Irony In Writings Of Mary Shelley, Delores Archaimbault

Masters Theses

This study focuses upon the letters, journals and selected fiction of Mary Shelley and reveals that Shelley engages in the processes of anti-ideology and artistic irony to help her explore gender identity. To show her consistent use of these processes, I juxtapose excerpts from her letters and journals with excerpts from her fiction. The fiction selections are narrowed to three: Frankenstein, Mathilda and The Last Man. In addition, I examine her writing and her use of anti-ideology and artistic irony relative to the influences of her significant others: her mother Mary Wollstonecraft, her father William Godwin and her …

The Treatment Of Women In The History Of Rasselas, Prince Of Abyssinia, Cindy Fritz

Masters Theses

Dr. Samuel Johnson, one of the most prolific and profound contributers to the English language, is, unfortunately, better known for his life and his anti-feminist point of view. James Boswell, in his book The Life of Samuel Johnson, LL.D., provides many pieces of Johnson's conversations which attempt to illustrate the doctor's belief that women were unable to understand the complexities of anything beyond their domestic duties, a belief widely supported among the classes throughout the seventeenth century until the middle eighteenth century. However, this paper, using historical and biographical evidence, demonstrates that Johnson's attitude towards women, specifically in his …