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Articles 1 - 4 of 4
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Feminism By Proxy: Jane Austen’S Critique Of Patriarchal Society In Pride And Prejudice And Emma, Alexis Miller
Feminism By Proxy: Jane Austen’S Critique Of Patriarchal Society In Pride And Prejudice And Emma, Alexis Miller
Master's Theses and Doctoral Dissertations
Reading Austen’s Pride and Prejudice and Emma from a feminist perspective reveals Austen’s desire for progressive marriages built on equality and love. Comparing the characteristics and eventual marriages of Austen’s heroines, Elizabeth Bennet and Emma Woodhouse, to other women and relationships in her novels highlights their uniqueness as women of agency who desire more than the society of Regency England offered women. Through such comparisons, Austen brilliantly displays her critique of the patriarchal society and the limitations that it set on women. Her critique is further established in the two novels through her emphasis on breaking down the false patriarchal …
Sculpted From Clay, Shaped By Power: Feminine Narrative And Agency In Wonder Woman, Mikala Carpenter
Sculpted From Clay, Shaped By Power: Feminine Narrative And Agency In Wonder Woman, Mikala Carpenter
Master's Theses and Doctoral Dissertations
By applying deconstructive and feminist theories to the Wonder Woman saga, this thesis develops a potential definition of feminine narrative in contrast to the normative and exclusionary patriarchal narrative that reigns supreme in popular culture and Western ideology. Though much of comics discourse functions on the assumption that superhero narratives are homogenous reflections of this ideological hero narrative, I posit that the Amazonian princess's resilience and iconicity stem from her own narrative's uniquely deconstructive nature: Where the patriarchal story would demand dominance, destruction, and violence, the feminine narrative that Diana models advocates for equality, nurturance, and emotional and rational communication. …
Parody And The Pen: Pippi Longstocking, Harriet M. Welsch, And Flavia De Luce As Disrupters Of Space, Language, And The Male Gaze, Kelsey Mclendon
Parody And The Pen: Pippi Longstocking, Harriet M. Welsch, And Flavia De Luce As Disrupters Of Space, Language, And The Male Gaze, Kelsey Mclendon
Master's Theses and Doctoral Dissertations
In opposition to a literary tradition of damsel-in-distress female characters, Astrid Lindgren’s Pippi Longstocking, Louise Fitzhugh’s Harriet the Spy, and Alan Bradley’s The Sweetness at the Bottom of the Pie provide examples of empowered, intelligent, and capable young girls living in a mid-20th century environment and successfully subverting patriarchal norms. Drawing on Laura Mulvey’s theory on women as spectacle, Hélène Cixous’s concept of l’ecriture feminine, and New Historicist influences, I explore the common threads within these post-World War II era texts. Pippi’s strength and humor, Harriet’s spying and writing, and Flavia’s scientific expertise and detectival work illustrate their …
Locating Linguistic Power Relationships: A Glimpse Into Transnational Feminist Dialogue Through Comparison Of Major Feminist Publications In The Us And China (2000-2012), Shuli Han
Master's Theses and Doctoral Dissertations
Does the use of English as a universal language in the transnational feminist dialogue empower women globally? In what way does English shape the flow of conversation by circulating some feminist knowledge while neglecting others? Through conducting content analysis research on major feminist publications in both China and the US, this thesis probes the limitations of English as “Lingua Franca” through comparing authors, topics, and the use of references in the Collections of Women’s Studies (CWS), the most prestigious feminist journal in China, with Signs, one of the core feminist journals in the US. Through the comparison …