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Acting The Part: How Audience Problematizes Butlerian Performativity In The Films Of Darren Aronofsky Kathryn Bigelow And Lars Van Trier, Ryan Semerad

Honors Theses

Feminist and gender studies critics laud Judith Butler’s theory of the performative construction of identity because of its capacity to liberate gender from the biological essentialism entailed by previous identity theories. In this thesis, I show how six twenty-first century films demonstrate the importance and problematic nature of ‘audience’ in the performative construction of identity. Each film employs a dialectic model between their protagonists and the reception they receive from diegetic audiences within the film to describe performativity. Black Swan (2010) and The Wrestler (2008) demonstrate how performative identities require an audience to legitimize them. Antichrist (2009) and The Hurt …