Open Access. Powered by Scholars. Published by Universities.®
Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Tap For The Times: A Study Of Contemporary Tap Dance, Elise Wilham
Tap For The Times: A Study Of Contemporary Tap Dance, Elise Wilham
Mahurin Honors College Capstone Experience/Thesis Projects
Tap dance is an American art form that began with the blending of traditional dance styles from English and Irish immigrants and African slaves. Throughout the 20th century, tap dance developed many styles in response to cultural changes that took place. Contemporary tap dance emerged in the latter half of that century and continues developing today with the fusion of other dance genres and new technologies. This research examines tap dance history to create an understanding of how it developed through a historical lens and analyzes the current approaches applied to the artform along with the characteristics and creative processes …
She's The Jazz: An Exploration Of Dance And Society In The Age Of The Flapper, Jillian Terry
She's The Jazz: An Exploration Of Dance And Society In The Age Of The Flapper, Jillian Terry
Mahurin Honors College Capstone Experience/Thesis Projects
The 1920’s, most affectionately known as “The Roaring Twenties,” was a time of dramatic social and political change. Economic growth pushed Americans into an unfamiliar consumer society where people bought the same goods, heard the same songs, danced the same dances, and used the same slang. Prohibition laws led to the underground sale of alcohol in speakeasies where new freedoms were found through communities uniting in music and dance. Here we saw the emergence of flappers. Unlike the generations that came before, these women were seen performing unladylike actions, such as drinking and smoking, while embracing their sexuality. While not …
Letters To Mei Lanfang, Alexandra Dare Norman
Letters To Mei Lanfang, Alexandra Dare Norman
Mahurin Honors College Capstone Experience/Thesis Projects
As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …