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Articles 1 - 4 of 4
Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
Electronic Theses and Dissertations
This dissertation traces the encounter between psychology as a human science and the viral zombie film genre using the collaborative works of Deleuze and Guattari in conjunction with the queer anti-humanist theories of Colebrook and Halberstam. I interwove thematic (i.e. plot, dialogue, character development) and cinematographic (i.e. shot composition, editing, lighting, musical score) analyses of fourteen viral zombie films with theoretical arguments regarding the deterritorialization of the human subject and its relevance to psychology as a human science. The films were selected from the plethora of viral zombie films released after the turn of the 21st century. The selection was …
The Logic Of Sexuation In Deleuze And Lacan, Matthew Lovett
The Logic Of Sexuation In Deleuze And Lacan, Matthew Lovett
Electronic Theses and Dissertations
In The Logic of Sexuation in Deleuze and Lacan, I argue for an account of sexual difference that responds to a tension in feminist philosophy, namely, the problem of the ontological status of the sexed body. In so doing, I turn to the work of Gilles Deleuze and Jacques Lacan. I argue that, rather than being antithetical, the two can be productively read together, in particular with regard to this very question. Ultimately basing my reading in the Deleuzian passive syntheses and dynamic geneses of Difference and Repetition and The Logic of Sense as well as in Lacan’s twentieth …
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
Electronic Theses and Dissertations
This study examines three autobiographical texts written in post-World War II America (1959-1973) that take as their subject a straight white man’s reflection on and engagement with the exercise of male power and the forces, both internal and external, that shape the degree to which he is “self-made,” i.e., an autonomous agent able to exert his will within a life domain (domestic, public, and war). Each of these writers engages in surveillance not solely of their own power, but also of the men who influence their experience, using their observations to critique, assert, and question the gendered realities and expectations …
Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, Bethany Csomay
Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, Bethany Csomay
Electronic Theses and Dissertations
Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, literature, history, economics, psychology, anthropology, sociology, and fashion” (Engel 752). While much scholarship has been conducted on the actress’ life, interaction with material culture, public spectacle, authority, femininity, and writings, the role of an actress’ education in her success has yet to be explored adequately or examined beyond biography. My project seeks to examine the educational beginnings of actresses and I assert there are three modes that eighteenth-century actresses often undertook to cultivate their celebrity and success: inheritance, discovery, and trial and error. This project examines the …