Open Access. Powered by Scholars. Published by Universities.®

Feminist, Gender, and Sexuality Studies Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 6 of 6

Full-Text Articles in Feminist, Gender, and Sexuality Studies

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner Apr 2022

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.


How Gender Affects Writing: Jackson’S And Fitzgerald’S Portrayals Of Mental Illness, Cryslin A. Ledbetter Apr 2022

How Gender Affects Writing: Jackson’S And Fitzgerald’S Portrayals Of Mental Illness, Cryslin A. Ledbetter

Criterion: A Journal of Literary Criticism

Cryslin Ledbetter's essay, "How Gender Affects Writing: Jackson’s and Fitzgerald’s Portrayals of Mental Illness" examines the similarities and differences between Shirley Jackson's We Have Always Lived in the Castle and Fitzgerald's Tender is the Night. Through a careful comparison of male and female writers, the author analyzes defining factors that effect the final product of each novel.


The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker Jan 2020

The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker

AWE (A Woman’s Experience)

No abstract provided.


“Is It Wrong To Want To Help Build Up God’S Kingdom?”: An Examination Of The Gendered Experience Of Early Brigham Young Academy Students Jan 2019

“Is It Wrong To Want To Help Build Up God’S Kingdom?”: An Examination Of The Gendered Experience Of Early Brigham Young Academy Students

AWE (A Woman’s Experience)

No abstract provided.


Gender And Religion In A Shifting Social Landscape: Anglo-Saxon Mortuary Practices, Ad 600-700, Caroline Palmer Apr 2018

Gender And Religion In A Shifting Social Landscape: Anglo-Saxon Mortuary Practices, Ad 600-700, Caroline Palmer

Undergraduate Honors Theses

My thesis examines seventh-century East Anglian mortuary practices and cross-correlates grave goods and human remains to determine whether there was an expression of the sexual division of labor during this period of social and religious change. I argue that gender roles changed as a result of adopting kingdoms and Christianity. Prior to this time period, Anglo-Saxons were primarily pagan and were buried with extensive burial goods. In addition to changes in religious and burial practices, during the Final Phase (600-700 AD) there appears to have been a division of labor that was not as dichotomous in the Migration Phase (450-600 …


The Feminine Peter Pan, Felicia Jones Jan 2013

The Feminine Peter Pan, Felicia Jones

AWE (A Woman’s Experience)

Cross-casting in performances has effected outrage and social dilemmas in audiences, despite the important cultural messages those characters display. Since its beginning as a play, women have been cast as the young boy Peter in Peter Pan. J.M. Barrie wrote Peter Pan through inspiration from the young deaths of his brother and childhood friend, who will always remain in their youth. In order to capture that youthful innocence, females have been cast as Peter. This choice in casting was also made to achieve androgyny and transcend gender by blurring gender lines.