Open Access. Powered by Scholars. Published by Universities.®
Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett
Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett
Criterion: A Journal of Literary Criticism
Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …
Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen
Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen
Criterion: A Journal of Literary Criticism
By the mid-15th century, the royal marriage of King Charles and Queen Henrietta Maria incited enough conflict to spark civil war, as the English struggled to reconcile between the long-established image of female English domesticity and a pervasive cultural expectation for equality between marriage partners. Any form of equality in the royal marriage called the absolute power of the king into question, as it would imply that his actions had included her direct involvement, and even at times were more representative of her, not his, views. Letters captured at the Battle of Naseby confirmed fears that the queen …
A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul
A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul
Criterion: A Journal of Literary Criticism
Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …