Feminist, Gender, and Sexuality Studies Commons^™

Scared Sexless: Divergence From Faulkner’S Archetypal Women In “Barn Burning”, Laura Bass

ScholarsArchive Data

This essay discusses the way that Faulkner describes the women in "Barn Burning" and the social implications for the "white trash" woman.

When Good Girls Go Bad (Or Do They?): Nymphomania And Lycanthropy In Verga’S “La Lupa”, Ilona Klein

Faculty Publications

At some point during early development, most children are afraid of the imaginary wolf under the bed or the wolf that hides in the closet at night. Traditional bedtime stories such as Little Red Riding Hood certainly do not help assuage such fears: these are atavistic dreads, similar to being scared of the dark or of death.1 In childhood culture, the wolf represents the “other,” the “furry non-human,” and almost always the viciously violent. Later, as adults, the occasional dream of wolverine violence, or of human transformation into a wolf (a lycanthropic aversion) might very well create anxiety and apprehension.2 …

Life As The Wife Of Buffalo Bill, Summer Weaver

Student Works

Buffalo Bill was and still is considered a symbol for the American West. His Wild West Show brought the excitement of frontier life to people in the Eastern U.S. and even in Europe. The more subtle frontier story, however, is told by his wife, Louisa Frederici Cody. In her memoir, Memories of Buffalo Bill, Louisa further idealizes her husband by giving an "inside look" at the life of the great American hero. Never mentioning William Cody's two divorce attempts, Louisa maintains a flawless depiction of her husband as they both "worked for tomorrow."

My essay examines the reasons why …

Uncovering The Voices That Have Been Silenced: How The Cherokee Young Women Are Continuing The Traditions Of Their Ancestors Through Literature And Rhetoric, Carly L. Callister

Student Works

When the Cherokee women, back in 1817, first heard the news that they were being stripped of their lands and being forced to journey through the Trail of Tears, they decided to fight for what was right by speaking up and using their voices to be heard around the world. They created petitions and speeches, explaining their love for their people, motherhood, and the land, and how it was “their duty as mothers” to fight for the right to stay in the southeastern part of the United States (Lauter 2399). Though the Cherokee women’s voices were silenced when their petitions …

Stories Of Scribbling Women: Hands-On Research In Book History With Women's Studies Students, Maggie Kopp

Faculty Publications

BYU Special Collections curators taught an Honors Western Civilization survey course with our collections for over two decades, but after a reboot of the Honors curriculum the course was dropped. A new opportunity arose in 2014 when the Women’s Studies program wanted to expand their offerings. But the course needed a major overhaul. This poster describes some of the changes that were made.

A Bridge To The Eifel: Clara Viebig And Her Literary Style, Nathan Bates

Student Works

Clara Viebig was a woman author in Germany at the end of the nineteenth century, transitioning into the twentieth century. Viebig was born in Trier at the southern end of a region in western Germany known as the Eifel. Her works often utilized the landscape and countryside of this area, which has given them a unique dynamic. Although Viebig's technique has been examined in light of various literary styles, including naturalism (Krauss-Theim), neo-romanticism (Fleisscher), and Heimatkunst (Ecker), it has never been examined for its own unique merit. I believe that landscape plays a particularly profound role in shaping and influencing …

The Idaho Territorial Penitentiary's First Female Inmate, Fred E. Woods

Faculty Publications

While doing research on the experience of Mormon polygamists incarcerated at the Idaho Penitentiary, Fred Woods became curious about a woman imprisoned there at the same time. The Idaho Penitentiary's Convict Register names "Heneba" as the first female inmate received, on May 31, 1887. Next to her name is written in parentheses "squaw." For many years it has been unclear whether "Heneba" was her first or last name and what the background of this mysterious Native American was. Information about her age at the time of her incarceration, her family life, and the details of her later years and death …