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Articles 1 - 30 of 60
Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Invisible Bluestocking: Naganuma Chieko’S Organic Cover Art
The Invisible Bluestocking: Naganuma Chieko’S Organic Cover Art
AWE (A Woman’s Experience)
No abstract provided.
Catcalling: Making Something Out Of Nothing At All
Catcalling: Making Something Out Of Nothing At All
AWE (A Woman’s Experience)
No abstract provided.
"Je, Christine": Feminine Claims To Power In Ditié De Jehanne D’Arc
"Je, Christine": Feminine Claims To Power In Ditié De Jehanne D’Arc
AWE (A Woman’s Experience)
No abstract provided.
"A Mother And Fully Human At Once": Depictions Of Black Motherhood In Life And Literature
"A Mother And Fully Human At Once": Depictions Of Black Motherhood In Life And Literature
AWE (A Woman’s Experience)
No abstract provided.
“Is It Wrong To Want To Help Build Up God’S Kingdom?”: An Examination Of The Gendered Experience Of Early Brigham Young Academy Students
AWE (A Woman’s Experience)
No abstract provided.
Witchy Woman: Witchcraft As A Modernized Feminine Motif
Witchy Woman: Witchcraft As A Modernized Feminine Motif
AWE (A Woman’s Experience)
No abstract provided.
Feminist Typology-- I Am A Feminist
The Language Of Love (Memoir Fiction), Sarah Justine Skriloff
The Language Of Love (Memoir Fiction), Sarah Justine Skriloff
AWE (A Woman’s Experience)
Fiction/memoir of a young woman's encounter with her mother over body weight issues.
My Only Protection (Creative Work), Morgan Lewis
My Only Protection (Creative Work), Morgan Lewis
AWE (A Woman’s Experience)
Fictionalized memoir: a young woman working as a lifeguard in adolescence muses on sunscreen as her only protection in a world that sexualizes her body.
Redefining Representations Of Black Female Subjectivity Through The Erotic, Sylvia Cutler
Redefining Representations Of Black Female Subjectivity Through The Erotic, Sylvia Cutler
AWE (A Woman’s Experience)
With the release of singer-song writer Beyoncé Knowles’s self-titled album in 2013 and her subsequent branding of herself as a feminist, many feminist critics questioned the validity of Beyoncé’s sex positive feminism in the context of the longstanding sexualization and objectification of black women. This article seeks to reconcile Beyoncé’s brand of sex positive feminism with black feminist theorists and re-appropriating the erotic for black women. Analyzing the 2013 album Beyoncé and examining the history of black female entertainment, this article argues that Beyoncé’s brand of sex positive feminism is a necessary step in reclaiming and redefining black women’s expression …
Canterbury Cathedral, Madeline Rupard
Mother Of Mankind & Of The World, Kardo Bestilo
Ana The Prophetess In The Temple, Adelia Prado
The Children Of Reverend William Anderson Scott: A Portrait Legacy, Madeline Duffy
The Children Of Reverend William Anderson Scott: A Portrait Legacy, Madeline Duffy
AWE (A Woman’s Experience)
The painting of Robert, Calvin, Martha, and William Scott, and Mila (known as The Children of Reverend William Anderson Scott) is not just a family heirloom or a portrayal of Reverend William Scott’s four children and their caretaker, Mila. On the contrary, nearly two hundred years after it was painted, The Children of Reverend Scott functions today as a historical document in that analysis of it records the contemporary roles and status of children, parents, and slaves in nineteenth-century Southern life. This paper explores the personal convictions of Reverend Scott as recorded in the portrait—namely his roles as a father, …
Reclaiming Female And Racial Agency: The Story Of Dido Elizabeth Belle Via Portrait And Film, Madison Blonquist
Reclaiming Female And Racial Agency: The Story Of Dido Elizabeth Belle Via Portrait And Film, Madison Blonquist
AWE (A Woman’s Experience)
This paper explores the complex relationship between artists and their subjects, particularly with regard to race and gender. Using Niki Saint-Phalle’s definition of “truthful representation,” I consider the issues that race and gender pose to this ideal using the story of Dido Elizabeth Belle, an eighteenth-century aristocratic woman of mixed race. The intriguing life of Dido Elizabeth Belle is especially relevant to today’s evolving definition of intersectional feminism. Her portrait Painting of Dido Elizabeth Belle and her Cousin Lady Elizabeth Murray (1779, formerly attributed to Johann Zoffany) challenges the idea of “truthful representation” because it was presumably painted by a …
In Arcadia, Madeline Rupard