Feminist, Gender, and Sexuality Studies Commons^™

“Word Made Flesh”: Czech Women’S Writing From Communism To Post-Communism, Madelaine Hron

Journal of International Women's Studies

This article explores the changes in Czech women’s fiction from communism to post- communism, focusing in particular on Czech women writers’ relationship to literary discourse and feminism. It contends that women writers’ rapport to ideological discourse and literary production under communism is a determining factor in women’s relationship to both writing and feminism. It examines this literary legacy in terms of post-communism, surveying the differences between a totalitarian socialist regime and that of a materialist, capitalist economy, as exemplified in Czech women’s literature. The article offers a survey the major post-communist women writers, including Hodrová, Boučková, Kriseová, as well as …

Crossing Borders: The Extent To Which The Voices Of Exiled And Refugee Women Have Adapted To Their New Western Diasporic Space, Jennifer Langer

Journal of International Women's Studies

In this article I will consider the extent to which the voices of exiled and refugee women have adapted to their new Western diasporic space. I will examine whether women writers consider exile to be a safe place in which to describe the horrific experiences of gender specific persecution and of being a victim of violence in conflict or whether taboos restrict the women’s voice. Is exile providing a cathartic space to write openly? Do the exiled writers as reflected in their literary work, relate to their British physical space and interact with British people and society? What is the …

Unbending Gender Narratives In African Literature, Charles C. Fonchingong

Journal of International Women's Studies

The last century has witnessed an upsurge in literature triggered by the feminist movement. This unprecedented event has transformed the various literary genres that are being deconstructed to suit the changing times. African literature has not been spared by the universalized world order. The paper attempts a re-analysis of gender inequality from the pre-colonial to post-colonial period from the lenses of literary narratives. Male writers like Chinua Achebe, Elechi Amadi, Wole Soyinka, Ngugi Wa Thiongo, and Cyprain Ekwensi in their literary mass are accused of condoning patriarchy, are deeply entrenched in a macho conviviality and a one dimensional and minimalised …

The Female Body In Margaret Atwood’S The Edible Woman And Lady Oracle, Sofia Sanchez-Grant

Journal of International Women's Studies

This essay examines scholarly discourses about embodiment, and their increasing scholarly currency, in relation to two novels by the Canadian writer Margaret Atwood. Like many of Atwood’s other works, The Edible Woman (1969) and Lady Oracle (1976) are explicitly concerned with the complexities of body image. More specifically, however, these novels usefully exemplify her attempt to demystify the female form. In the following pages, I investigate Atwood’s treatment of the mind/body dualism and analyse the ways in which she responds to, and resists, its destructive effects. Using contemporary theory, moreover, I show how Atwood deals with the concept of female …

‘The Darkness Is The Closet In Which Your Lover Roosts Her Heart’: Lesbians, Desire And The Gothic Genre, Sarah Parker

Journal of International Women's Studies

This paper discusses the use of the Gothic genre in two ‘lesbian’ novels: Nightwood by Djuna Barnes (1936) and Affinity by Sarah Waters (1999). The Gothic, I argue, is employed and manipulated in order to counter the repressive effects of ‘lesbian panic’, evident in much women’s fiction (an idea posited by Patricia Smith in Lesbian Panic, 1997).

I begin by constructing a framework for my argument from the disparate yet related scholarship of several theorists, including Terry Castle, Eve Sedgwick, Claude Lévi-Strauss and Gayle Rubin. My argument hinges on the claim that lesbianism threatens cultural order – based upon …