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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 8 of 8
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Queering Identity Politics In Shimon Adaf’S Aviva-No, Yael Segalovitz
Queering Identity Politics In Shimon Adaf’S Aviva-No, Yael Segalovitz
CLCWeb: Comparative Literature and Culture
This article offers a queer reading of Shimon Adaf’s volume of poetry, Aviva-No (2009), analyzing it in conjunction with his recent collection of essays on identity formation, Ani aherim (I am others) (2018). Adaf’s oeuvre has been primarily studied through the lens of ethnicity and race. This article demonstrates that gender plays a key role in his body of work. Aviva-No, which is a lamentation for the poet’s sister, destabilizes the boundaries between the mourning brother and the absent sister. This ontological deconstruction stimulates in Aviva-No a broader undoing of gender as an embodied identity. The volume is replete …
"A Generation Of Wonderful Jews Will Grow From The Land": The Desire For Nativeness In Hebrew Israeli Poetry, Hamutal Tsamir
"A Generation Of Wonderful Jews Will Grow From The Land": The Desire For Nativeness In Hebrew Israeli Poetry, Hamutal Tsamir
CLCWeb: Comparative Literature and Culture
This article examines the ways in which the desire for nativeness is constructed in Israeli Hebrew poetry through several historical episodes: H. N. Bialik’s poem 1896 poem “In the Field”; the poets as pioneers/immigrants in the 1920s, in contrast to the “nativist” poet Esther Raab; and the “nativist” poets of the 1950s (Statehood Generation), focusing on Moshe Dor. The desire to be native—to belong to the land in a way that is natural, self-evident, and therefore absolute and unquestionable— is one of the constitutive desires of nationalism in general, and of Zionism in particular. In Bialik’s poem, written during the …
The Bloody Truth, Elizabeth Fulkerson
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax
Copley Library Undergraduate Research Awards
Algiers, the first French colony in Africa, was conquered in 1830 and gained independence in 1962. During this period, Algiers was constructed into an Orientalist acting ground that was shaped through political, social, economic formations in the built environment. The French colonial fascination with Algiers centered around the casbah, and thus the casbah became a laboratory for ethnographic and urban reflections. The French process of urban planning included military intervention, preservation motivated by exoticism and museology, and superstructure master plans dictated by the present benefit of indigenous communities to the colonial regime. Le Corbusier’s contact with Algiers further expresses the …
Asking For It: Rape Myths, Satire, And Feminist Lacunae, Viveca S. Greene, Amber Day
Asking For It: Rape Myths, Satire, And Feminist Lacunae, Viveca S. Greene, Amber Day
English and Cultural Studies Journal Articles
Although the outpouring of discussion about sexual violence following the allegations against film producer Harvey Weinstein caught many by surprise, the topic has been brewing as a cultural battleground for decades, particularly in the world of comedy. Today there are more high-profile female performers than ever before, bringing new perspectives to mainstream audiences and a heightened interest in exposing rape culture. Concurrently, rape culture has become a flash point for conservatives, leading to vitriolic online attacks. Just as rape jokes are constitutive of rape culture, we contend that satire that addresses dimensions of that culture is vital to challenging it. …
Embodied Desire: Establishing The Transmasculine Viewer, Bel Simek
Embodied Desire: Establishing The Transmasculine Viewer, Bel Simek
Senior Projects Spring 2020
Senior Project submitted to The Division of Arts of Bard College.
Body Politic: A Critical Comparison Of Marina Abramovic And Chris Burden, Lauren Minor
Body Politic: A Critical Comparison Of Marina Abramovic And Chris Burden, Lauren Minor
Regis University Student Publications (comprehensive collection)
A significant component of contemporary arts is performance art. Two spearheads of the birth of performance art are the Serbian artist Marina Abramovic, and the American Chris Burden, both of whom worked primarily in the 1970s. Abramovic and Burden have often been compared for the similar characteristics of their work: both artists create intense, provocative, and violent work. While Abramovic uses these aspects of her work to make political or social commentary, and connect to her audiences on a humanistic level, Burden uses these aspects without creating a deeper meaning or inspiring thoughtful dialogue. By exploring several comparable works by …