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Articles 1 - 7 of 7
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim
Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim
Theses and Dissertations
Though Western scholarship tends to homogenize South Asian experiences, researchers and novelists shed light on different classes of South Asian postcolonial and migratory women who experience mutability, or the internal and external changes as a trauma response after British colonial rule ended and the 1947 Partition abruptly fractured national identity. Though this mutability has positive and negative transformative qualities, it also allows women characters the power to remove themselves from cycles of oppression, work towards healing, and transforming their physical bodies from sites of repressed trauma to sites of expression and agency. What binds them is not only their physical …
“They Do Us The Honour Of Treating Us Like Gods, And We Respond By Treating Them Like Things”: The Problem With Fathers In William Shakespeare’S Titus Andronicus And J.M. Coetzee’S Disgrace, Colleen Walsh
Theses and Dissertations
Titus Andronicus’s obsession with honor eclipses his daughter's agency whereas David Lurie’s acceptance of his daughter's choices ultimately creates conditions of possibility. Coetzee represents Lurie as ultimately shedding patriarchal preoccupation with “dignity” and “honor.”
Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh
Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh
Theses and Dissertations
This thesis studies the treatment of women in Medieval literature as active agents in their roles of upholding the virtues of the societies in which they live. This study focuses on works written by the female authors Marie de France and Christine de Pizan.
In A Building, A Stairwell, A Room Speaks, Tsz Wai Wallis Cheung
In A Building, A Stairwell, A Room Speaks, Tsz Wai Wallis Cheung
Theses and Dissertations
Working toward a personal definition of womanhood while progressing with my research in feminist discourse, I frame biographical events alongside the intricate use of language surrounding feminist theory. Experimenting with material specificities that speak to my personal narratives and cultural significance, my work seeks to address the interlacing operations of subjectivity expanding on the intersection of class, gender and race.
Tipping Point, Pang Z. Vang
Tipping Point, Pang Z. Vang
Theses and Dissertations
What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.
Redefining Virtue In Shakespeare's Merry Wives Of Windsor, Melissa Rose Piccinonno
Redefining Virtue In Shakespeare's Merry Wives Of Windsor, Melissa Rose Piccinonno
Theses and Dissertations
Shakespeare’s The Merry Wives of Windsor is a play of social justice. It is a staging of the type of power that women can harness in spaces of extreme limitation and violation. The female characters in this play, specifically Mistress Page and Mistress Ford, are able to use tools of oppression meant to keep them subordinate to men to achieve their personal objectives.
Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, Joan M. Jocson-Singh
Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, Joan M. Jocson-Singh
Theses and Dissertations
Extreme metal music (EMM) is both an umbrella term and a sub-category of heavy metal. Although women have a small but steady presence in heavy metal, this number shrinks when applied to the EMM scene. Using ethnographic research, participant-observation and interviews, this study surveys women in New York's EMM scene to address participation, gender performativity and feminist musicology.