Feminist, Gender, and Sexuality Studies Commons^™

The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin

University Honors Theses

The Weak, the Wicked, the Divine is a collection of thirteen original poems based on the female figures of the Iliad and the Odyssey with scholarly analysis. The Introduction gives background on Homer and his works as well as their impact on both modern day and myself. The second section contains both the original work of Grace Hedin and the author's scholarly analysis of both their own work and the figure the poem is based upon. The Conclusion will hold the final thoughts and dedications from the author. An audio reading of all poems is attached to this thesis, with …

Modern-Day Fantasy: The Progressive Role Of The Active Female, Elizabeth Turello

Sacred Heart University Scholar

Compared to other genres of literature, modern-day fantasy is often disregarded as Eurocentric and homogeneous. In this article, I argue such critiques fail to take stock of the influential and progressive role women have played within modern-day fantasy since its creation by J.R.R. Tolkien. This article primarily focuses on modern-day fantasy works from three decades that coincide with a wave of feminism, beginning with Tolkien’s The Lord of the Rings in the 1950s and continuing with J.K. Rowling’s early nineties and aughts Harry Potter series as well as Leigh Bardugo’s mid-2010’s duology, Six of Crows. This article discusses the direct …

A Soundless Feminine Representation: An Ecofeminist Reading Of "The Eolian Harp", Eve Echternach

University Honors Theses

Focusing on Samuel Taylor Coleridge's "The Eolian Harp," this essay centers on the erasure and replacement of women's voices through descriptions of the environment and the common themes between the two. In many works of poetry and writing, women are compared to the natural world and vice versa. Though Coleridge's "The Eolian Harp" is categorized as a conversation poem, the dialogue of his wife, Sara Fricker, and any other feminized figures are omitted. Within this poem, one can see the environment and women's cohabitation being used to flatten their character, remove agency, and to place the male figures in the …

The Method In The Madwoman : Functions Of Female Madness And Feminized Liminality In Jane Eyre, Wuthering Heights, And "The Yellow Wallpaper", Ivy Elizabeth Poitras

Legacy Theses & Dissertations (2009 - 2024)

This critical thesis explores how three literary portrayals of “madness” in female characters of the mid-to-late 19th century written by women writers (Bertha Mason of Jane Eyre, Catherine Earnshaw of Wuthering Heights, and the Narrator of “The Yellow Wallpaper”) operate as instruments within their work to provide commentary on the anxieties, fears, and ideological stereotypes of women and femininity of the era, as well as contradictions and concepts pertaining to confinement, the female body, gendered Gothic tropes, and societal oppression. The significance of this analysis lies in the consistency and endurance of these issues as they withstand modern development, making …

The Fiction Of Women In Contemporary American Literature : The Borderlands Of Intersectional Feminism, Postcolonial American Studies, And Creative Writing, Skye Anicca

Legacy Theses & Dissertations (2009 - 2024)

A collection of nine short stories entitled THE TROUBLE WITH BRIGHT GIRLS is unified by women’s diverse coming-of-age experiences in late twentieth century transnational America. The story collection relies on techniques that highlight dislocation—temporal skips and wide temporal frames, fragmented and recursive narratives, borrowed genres, absurd premise, anti-heroines and anti-epiphanies—which gesture toward collective human experiences while troubling notions of universal knowledge and values and resisting redemption or closure. The critical introduction situates the collection through the theoretical lens of intersectional feminism, informed by Gloria Anzaldúa’s concept of the borderlands, and in relation to field of multiethnic/transnational literature of the U.S. …

Who Is Ophelia? An Examination Of The Objectification And Subjectivity Of Shakespeare's Ophelia, Tynelle Ann Olivas

UNLV Theses, Dissertations, Professional Papers, and Capstones

William Shakespeare's Ophelia, from his tragedy play Hamlet, has predominately been perceived and depicted as an objectified female with very little purpose other than to support Hamlet's role as protagonist. I explore the ways in which Ophelia was objectified by her brother, father, and Hamlet. I also analyze how Ophelia not only exhibits subjectivity, that is the ability to think, act, and speak for herself, but plays the part of Shakespearean fool. In her interactions with Hamlet specifically, Ophelia addresses Hamlet first, raises questions of the prince, and conducts herself in a way that is not always in keeping with …

A Secret Cunning In The Fens: Subversive Female Identity And The Plight Of Grendel's Mother, Candice Rae Sequine Roark

Theses Digitization Project

Readings built upon the foundation of traditional gender studies and structural binaries have consistently influenced how scholars understand female identity in Early Medieval Germanic texts. This thesis endeavors to dismantle these traditional readings and consider ways in which female identity can be reexamined wihin a post-structural framework.

"'Ic Paet Secgan Maeg, Hwaet Ic Yrmpa Gebad'": Christian Scribes' Condemnation Of Blood Feud And Its Effect On Women In Anglo-Saxon Society, Tara Seate-Beck

Theses & Honors Papers

In preserving The Wife 's Lament, Wulf and Eadwacer, and Beowulf's battle scene with Grendel's mother, Christian poets and scribes preserved much more than just the literature of Anglo-Saxon England. They recorded the feminine voice, a rare perspective emerging from a society founded principally on the fundamentals of warfare and male dominance. The women's songs stand as testaments to the strife and discord women suffered as a consequence of their husbands' participation in blood feud. Their stories are not merely recounted as third person narratives, as much of the other extant texts from the period are; in the elegies, these …

Gloria Anzaldua And Alanis Morisette: The Untangled Flavors Of Conocimiento, Audrey Nathalie Romero

Theses Digitization Project

This paper explroes the notion that the human body plays a predominant role in the act of writing, and examines how Gloria Anzaldua's concept of writing from the body, which she calls conocimiento (Spanish term for consciousmess), is manifested in Alanis Morissette's lyrics.

Beyond Bigamy : Mary Elizabeth Braddon's Attempts To Challenge And Change Expectations Of The Middle Class Victorian Woman, Alisa M. Scapatici

Legacy Theses & Dissertations (2009 - 2024)

Abstract

Delta Woman With Faulkner And Hitchcock, Mi-Jeong Kim

Legacy Theses & Dissertations (2009 - 2024)

Lacan, as a post-structuralist, combined Saussure's linguistics with Freud's psychology and linked Derrida's notion of "the other" to his notion of "objet petit a" as the impossible object of the subject's phallic desire, in order to re-think the modern consciousness of "the self." In the Lacanian account, "the other" does not exist as the 'absolute' transcendental without involvement, but ex-sists as the traumatic and 'extimate' exteriority with-in "the self." The ex-centric other is epitomized by the iconic (inverted) triangular center of Lacan's Borromean Knot. As the immanent exteriority of both the subject and the Symbolic, the feminine (w)hole, resembling vaginal …

A Skeptical Feminist Exploration Of Binary Dystopias In Marion Zimmer Bradley's The Mists Of Avalon, Alexandra Elizabeth Anita Lindstrom

Theses Digitization Project

In Marion Zimmer Bradley's retelling of the Arthurian legends, The Mists of Avalon, she creates two dystopic cultures: Avalon and Camelot. Contrasting Bradley's account of the legends with the traditional version, Sir Thomas Malory's Le Morte d'Arthur, reveals that Bradley's sweeping revisions of the tradition do little to create a feminist ideal. A skeptical questioning of the text's plot and characters with the Women's Movement in mind opens an interpretation of the text as a critique of feminism itself.

Hybrid Identity And Arab/American Feminism In Diana Abu-Jaber's Arabian Jazz, Nicole Michelle Khoury

Theses Digitization Project

In her novel Arabian Jazz, Diana Abu-Jaber attempts to explore the Arab American identity as something new; as an identity that exists related to, but ultimately separate from, the Arab and American identities from which it was originally created. This thesis discusses the emergence of the depiction of the Arab American female identity in the novel, examining how the characters explore issues of race, class, imperialism, and sex within both the Arab and the American cultures as those issues shape female identity. The thesis also presents a rhetorical analysis of the speeches that allow the characters a voice with respect …

Djotaayi Dieguenye: The Gathering Of Women In Mariama Ba's Fictional World., Siga Fatima Jagne

Wagadu: A Journal of Transnational Women's & Gender Studies

Mariama Bâ's fiction is situated in the tradition of the speakerly text—the oral tradition of the Senegalese griot women. This paper focuses on Bâ’s nuanced analysis of caste, friendship, fate, and women's relations. Bâ is critical of archaic and misogynist traditional practices and in her writing she expresses a hope for a positive construction of the Wolof world view.

Guenevere's Conflict: Pagan Love Or Christian Ethics, Jacquelyn Sweeney Johnson

Theses & Honors Papers

This thesis examines the character of Guenevere in the broader, historical story of King Arthur. Analyzing newer, pagan, and feminist interpretations of her character as opposed to her original characterization in the Christian tale, it discusses the changes made in reinterpretation, especially as it relates to her relationship with Sir Lancelot.

Hemingway's Modern Woman: An Analysis Of Selected Novels, Bonnie Gay Robertson

Theses & Honors Papers

This thesis looks at the female characters of several of Ernest Hemingway’s novels and how they relate to a world changed by war. It analyzes their capacity to find identities for themselves and take on male characteristics and independence for themselves.

"I Am The Creator": Birgitta Of Sweden's Feminine Divine, Yvonne Bruce

English Faculty Publications

No abstract provided.

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Gilman's Gothic Allegory: Rage And Redemption In The Yellow Wallpaper, Greg Johnson

Faculty and Research Publications

Discusses the 19th-century short story 'The Yellow Wallpaper,' by Charlotte Perkins Gilman. Comparison with the insistence of the poet Emily Dickinson's mother to install new wallpaper in her bedroom before Emily was born; Suggestion of Gothic themes of confinement and rebellion, forbidden desire and irrational fear; View of the behavior of the story's female narrator.

Chaucer's Criseyde: Portrait Of Woman, Nancy Joan Faulkner

Theses & Honors Papers

No abstract provided.