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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Bodies In Transit: Women, War, And Violence In Select Fiction From Nepal, Lakhipriya Gogoi
Bodies In Transit: Women, War, And Violence In Select Fiction From Nepal, Lakhipriya Gogoi
Journal of International Women's Studies
The figures of women in conflict zones have been presented in South Asian literature chiefly as torn and battered bodies/souls, usually carrying an irremediable suffering and sense of loss that they bear as wives, mothers, and daughters while their male compatriots participate in the zone of war. The twentieth century surge in identity movements and political conflicts in South Asia, however, offers us new figures of women as “warriors” or direct participants in the zones of violence. The usurpation of such new bodies, on the one hand, defies the hegemonic feminization of women’s bodies as caregivers, and on the other …
Mothers And Daughters: Reclaiming The Besieged Body Of Woman In Ashapurna Debi’S Trilogy, Subhadeep Ray, Goutam Karmakar
Mothers And Daughters: Reclaiming The Besieged Body Of Woman In Ashapurna Debi’S Trilogy, Subhadeep Ray, Goutam Karmakar
Journal of International Women's Studies
This paper offers a close reading of the intergenerational trilogy by Ashapurna Debi, one of the first-canonized women-novelists of post-independence India: Pratham Pratisruti (The First Promise), 1965, Subarnalata, 1967, and Bakul Katha (Bakul’s Story), 1974. Reconstituting a history of almost two centuries and countering the colonial/postcolonial grand narratives, these novels act as a saga of Bengali Hindu lower and middle-class women’s plight under and resistance against a patriarchal social order operating at the most intimate levels of domestic relationships. Ashapurna Debi’s treatment of the intricacies of gender inequality and a woman’s response to the violence …
"I Want To Know What I'M Looking At": Surveilling Gender As A Response To Cultural Anxieties In Halloween, Sleepaway Camp, And Scream, Jennifer Jacinda Mclawhorn
"I Want To Know What I'M Looking At": Surveilling Gender As A Response To Cultural Anxieties In Halloween, Sleepaway Camp, And Scream, Jennifer Jacinda Mclawhorn
Institute for the Humanities Theses
The purpose of this thesis is to investigate slasher films and how they use gendered tropes to respond to and perpetuate cultural anxieties. The methodology primarily uses textual analysis that includes close attention to content, context, and discourse. The study reveals structural patterns and problems that emerge within slasher films, specifically within the Final Girl trope and the behaviors that govern it. In surveilling the Final Girl’s gender performativity, it is apparent that abjection, or a gut reaction to something that exists between two distinct boundaries or categories, is provoked when the Final Girl crosses a socially established gender boundary. …