Feminist, Gender, and Sexuality Studies Commons^™

The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere

Electronic Thesis and Dissertation Repository

Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

The South African Women's Movement: The Roles Of Feminism And Multiracial Cooperation In The Struggle For Women's Rights, Amber Michelle Lenser

Graduate Theses and Dissertations

In the historiography of South Africa’s recent past, focus has been most heavily placed on apartheid and the anti-apartheid movement, with much emphasis placed on male involvement and men as the primary agents of change in the country. Women are largely viewed as playing a supportive role to male activists throughout the movement, and far less has been written on female involvement or women’s activism in its own right. Running parallel to the anti-apartheid movement, however, was a women’s movement characterized by women across the racial and socioeconomic spectrum struggling to secure their own rights in a very hostile and …

"Roll" Models: Fat Sexuality And Its Representations In Pornographic Imagery, Leah Marie Turner

USF Tampa Graduate Theses and Dissertations

The purpose of this thesis is to use specific fat pornographic imagery as a means to help us understand fat tropes and fetishization. The goal is to use our understandings of masculinity and race within fatness to create a possible launching point for further study within the field of fat sexuality studies. My rationale for writing such a paper is because fat sexuality studies is a field which has very little content, but potential for incredible scholarship which can impact not only our understandings of fat bodies, but of all bodies. The method for this thesis involves looking at specific …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri

Student Theses and Dissertations

This paper is an analysis on the graffiti artist Panmela Castro and her murals in Brazil and around the world. My thesis emphasizes the importance of feminist subject matter for graffiti art in Brazil, as well as its impact on the public sphere. The paper is separated into four sections: “Formative Years,” describing her biography and the development of her works; “Interaction with the City,” analyzing the interaction between graffiti and the urban environment, and using that discussion as a frame to contextualize Castro’s work; “Feminist Imagery and Ideology,” examining some of her concurrent themes and imageries; and finally “Transnational …

"Buried...Like A Human Being" At The Milwaukee County Poor Farm Cemetery: A Bioarchaeological Approach To Defining Fetal And Infant Personhood Through Biological Development, Historical Discourse, And Diapering, Brianne Charles

Theses and Dissertations

The ambiguity of life is visible in the complex sets of beliefs that cultures develop around abortion, stillbirth, and neonatal death. This research grew out of ambiguities surrounding bioarchaeological methods of age estimation among fetal and infant remains and the need for additional lines of evidence to define what a prenatal or postnatal age contextually means, how these definitions were upheld or challenged, and what impact these definitions had on the mortuary treatment of these bodies.

Discernment between fetal and infant skeletal remains is important to forensic investigations and bioarchaeological questions of personhood, infant mortality, and maternal health. However, skeletal …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

Trace., Kcj Szwedzinski

Electronic Theses and Dissertations

Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …

Queering Dominant Modes Of Writing And Identity Formation In Audre Lorde’S Zami: A New Spelling Of My Name, Charlie Martin

Cultural Studies Capstone Papers

As part of a historical formation of marginalized authors who interrogate dominant modes of writing and identity formation in their work, self-described “Black lesbian mother warrior poet” Audre Lorde remakes and reimagines dominant conventions of identity and literary genres in her novel Zami: A New Spelling of My Name to articulate her unique subjectivity as a Black American lesbian writer. Drawing on the work of scholars and activists in the fields of queer theory and feminism, including Cheryl Wall, Eve Kosofsky Sedgwick, and Audre Lorde herself, Charlie Martin uses textual and contextual analysis to examine the indelible link between Lorde’s …

"Rebel Girls: Radical Feminism And Self-Narrative In Early 20th-Century Japan And China", Corrina Gross

Senior Projects Spring 2019

Senior Project submitted to The Division of Languages and Literature of Bard College.

Unbecoming : A Collection Of Short Fiction, Angélica Luisa Valentín Schubert

Legacy Theses & Dissertations (2009 - 2024)

This collection contains nine short stories addressing various concepts and issues relating to contemporary femininity in the United States.

Cultivating Chingona Power: A Study On The Chingona Identity, Celia Orosco Haro

Cal Poly Humboldt theses and projects

Mujeres across the country are claiming the Chingona identity and using it to cultivate their Chingona strength, feel empowered, and live for their own approval. A Chingona in this newly reclaimed use means a woman who embodies confidence, acceptance of self, reclamation of sexuality, siguiendo le adelante por su propio camino sin importarle lo que digan los demás, rejects social and cultural norms/expectations of women, and uses her strengths to empower and uplift others. Through the reclamation of this identity, these mujeres are moving beyond being hijas de la chingada to being Chingonas. This research highlights the Chingona identity …

If The Shoe Fits: Cinderella And Women's Voice, Farrah V. Kurronen

Honors Undergraduate Theses

One of the fundamental stories in fairy tale studies is "Cinderella": folkloric designation ATU 510A, the Persecuted Heroine. As Fairy tale and Folklore studies continue to evolve, authors beyond Basile, Perrault and Grimm are added into the Cinderella canon to lend a more nuanced approach to the study of this fairy tale. Yet "Cinderella" is still often interpreted as a tale of feminine submissiveness, in which the heroine is little more than a passive ornament or else a likeable social-climber. These interpretations stem largely from the focus of "Cinderella" stories written by men. Though studies of "Cinderella" are expanding, "Cendrillon", …

Fear, Power, & Teeth (2007), Olivia Hockenbroch

Graduate Student Theses, Dissertations, & Professional Papers

Vagina dentata is the myth of the toothed vagina; in most iterations, it serves as a warning to men that women’s vaginas must be conquered to be safe for a man’s sexual pleasure (Koehler, 2017). The vagina dentata myth has been carried forth from ancient ancestors in numerous cultures all over the world (Koehler). It is one of many destructive cultural myths that guides discourses about sex and women’s bodies. In this paper, I explore a recent articulation of the myth, the 2007 film Teeth, and I argue that in this film, the vagina dentata is made more complicated. While …