Feminist, Gender, and Sexuality Studies Commons^™

Feminine Film Style: Does It Really Exist? A Case Study Of Sofia Coppola’S Marie Antoinette And Zoe Cassavete’S Broken English, Alyson H. Stanley

Missouri S&T’s Peer to Peer

Masculinity and femininity in American cinema has always been a controversial topic. The two constructs have been changing with societal expectations and progression, but in the past, every time women and femininity have been granted a chance to develop in cinema, such as the introduction of the risqué flapper in the 1920s and the femme fatale of the 1950s, these developments were quelled by the inevitable return to traditional gender roles. But, after the feminist movement of the 1960s, there was no doubt about how extremely displeased women were with the current state of gender equality (Benshoff & Griffin, 2004). …