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Articles 1 - 20 of 20
Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Role Of Maasai Women In Traditional Conflict Resolution And Peace-Making: A Case Study In Tanzania, Naisiligaki Japhet Loisimaye
The Role Of Maasai Women In Traditional Conflict Resolution And Peace-Making: A Case Study In Tanzania, Naisiligaki Japhet Loisimaye
Journal of African Conflicts and Peace Studies
This paper has addressed the problem of traditional conflict in Maasai societies and the role of Maasai women in traditional conflict resolution and peace-making in Tanzania. This qualitative research analyzed if Maasai women are involved in traditional conflict resolution and peace-making and their roles in traditional conflict resolution and peace-making. The findings revealed from the interview process shows that due to strict Maasai traditions and nature of Maasai being male dominant, Maasai women are either not allowed to participate or get involved in the traditional conflict resolution and peace-making. As their roles towards conflict resolution and peace-making is not seen. …
Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias
Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …
Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis
Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis
ABO: Interactive Journal for Women in the Arts, 1640-1830
Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of …
Climate Disasters, Mass Violence, And Human Mobility In South Sudan: Through A Gender Lens, Marisa O. Ensor
Climate Disasters, Mass Violence, And Human Mobility In South Sudan: Through A Gender Lens, Marisa O. Ensor
Genocide Studies and Prevention: An International Journal
This article examines the links between gender, mass violence, climate change, and displacement in South Sudan. I argue for risk-informed gender-sensitive strategies that incorporate local capacities and sources of resilience. When civil war engulfed South Sudan again in 2013, egregious human rights violations, including sexual and gender-based violence, were perpetrated with near complete impunity. As the national army was divided along Dinka-Nuer ethnic lines, soldiers from each faction turned against each other in a deadly pattern of revenge and counter-revenge attacks that soon spread across the national territory. Inter-communal conflicts also intensified, often centering on competition over land for pasture, …
Wwa Reflection: Continuing To #Writewithaphra: A Year Of Collegiality And Compassion, Ashley Bender, Daniella Berman, Jenny Factor, Elizabeth Giardina, Catherine Keohane, Bénédicte Miyamoto, Kelly J. Plante, Elizabeth Porter, Bethany E. Qualls, Susannah B. Sanford, Karenza Sutton-Bennett
Wwa Reflection: Continuing To #Writewithaphra: A Year Of Collegiality And Compassion, Ashley Bender, Daniella Berman, Jenny Factor, Elizabeth Giardina, Catherine Keohane, Bénédicte Miyamoto, Kelly J. Plante, Elizabeth Porter, Bethany E. Qualls, Susannah B. Sanford, Karenza Sutton-Bennett
ABO: Interactive Journal for Women in the Arts, 1640-1830
Last summer, a group of participants in ABO’s #WriteWithAphra program joined a co-writing group that continues to meet each weekday. When presented with ABO’s call for reflections in early 2020, we wanted to reflect as we have worked this past year: together. We share here our conversation from June 4, 2021 (edited for clarity) that addresses why we joined the writing group, as well as what we have gained, the challenges we have encountered, and why we are still here. We frame the conversation with a brief introduction that explores the feminist nature of co-writing.
Wwa Reflection: Losing Sight, Making Scholarship, Sabrina M. Durso
Wwa Reflection: Losing Sight, Making Scholarship, Sabrina M. Durso
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Visions: Re-Historicizing Genre: Teaching Haywood’S The Adventures Of Eovaai In A Fantasy-Themed Survey Course, Megan E. Cole
Visions: Re-Historicizing Genre: Teaching Haywood’S The Adventures Of Eovaai In A Fantasy-Themed Survey Course, Megan E. Cole
ABO: Interactive Journal for Women in the Arts, 1640-1830
Eliza Haywood is an increasingly popular author to assign in eighteenth-century literature courses. But Haywood is also a prime figure to represent the eighteenth century in courses with a broader scope. This essay proposes teaching The Adventures of Eovaai in a fantasy-focused, introductory-level survey of British Literature. Identifying Eovaai as part of the fantasy tradition leverages students’ prior knowledge and facilitates teaching this complex novel to first-year students. Eovaai provides a wealth of topics for class discussions and activities, including the development of the novel as a genre, identity and othering in fantasy literature, and the use of fantasy conventions …
Review Of Women, Performance, And The Material Of Memory: The Archival Tourist, 1780-1915, By Laura Engel, Leslie Ritchie
Review Of Women, Performance, And The Material Of Memory: The Archival Tourist, 1780-1915, By Laura Engel, Leslie Ritchie
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Sisterhood & Scholarship While Black, Stephanie R. Anckle
Sisterhood & Scholarship While Black, Stephanie R. Anckle
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Making The Case For Genocide, The Forced Sterilization Of Indigenous Peoples Of Peru, Ñusta P. Carranza Ko
Making The Case For Genocide, The Forced Sterilization Of Indigenous Peoples Of Peru, Ñusta P. Carranza Ko
Genocide Studies and Prevention: An International Journal
Peru’s national health program Programa de Salud Reproductiva y Planificación Familiar (PSRPF) aimed to uphold women’s reproductive rights and address the scarcity in maternity related services. Despite these objectives, during PSRPF’s implementation the respect for women’s rights were undermined with the forced sterilization of women predominantly of indigenous, poor, and rural backgrounds. This study considers the forced sterilization of indigenous women as a genocide. Making the case for genocide has not been done previously with this particular case. Using the normative markers of the Genocide Convention, this study categorically sets forced sterilization victims from the state-led-policy as victims of genocide, …
Rose-Colored Genocide: Hollywood, Harmonizing Narratives, And The Cinematic Legacy Of Anne Frank’S Diary In The United States, Nora Nunn
Genocide Studies and Prevention: An International Journal
Drawing from literary and cultural studies, this paper situates U.S. adaptations of Anne Frank’s diary in the 1950s within a lineage of other films about historical genocide, including Schindler’s List, Hotel Rwanda, and The Killing Fields. Analysis of these narrative adaptations matters because it helps us better understand the danger of what critic Dominick LaCapra calls “harmonizing narratives,” or stories that provide the viewer with an “unwarranted sense of spiritual uplift” (14). Tracing the metamorphosis of Frank’s own diary from play to film adaptation, this article builds on existing scholarship to focus on how, in the wake …
La Reivindicación Del Monstruo En La Obra De Pilar Pedraza: De Las Novias Inmóviles A El Amante Germano., Lola Robles
La Reivindicación Del Monstruo En La Obra De Pilar Pedraza: De Las Novias Inmóviles A El Amante Germano., Lola Robles
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Digna heredera de la narrativa de Mary Shelley, la autora española Pilar Pedraza (Toledo, 1951) ha escrito y publicado una docena de novelas, varios libros de relatos y numerosos cuentos en antologías colectivas, a lo que hay que añadir una serie de ensayos sobre el papel de las mujeres en el arte, cine y literatura, y sobre brujería. Estas publicaciones ensayísticas muestran claramente la concepción del mundo que tiene Pedraza y son un buen correlato de su narrativa, tal como veremos. Su obra de ficción se inscribe dentro de la literatura de terror fantástico o se la define también simplemente …
Cyborgs Y Frankensteins Isleños: Mirada A Dos Cuentos De Marta Aponte Alsina, Veronica E. Davila Ellis
Cyborgs Y Frankensteins Isleños: Mirada A Dos Cuentos De Marta Aponte Alsina, Veronica E. Davila Ellis
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
En el siguiente ensayo analizo dos cuentos de Marta Aponte Alsina donde se presenta una crítica sobre las narrativas femeninas ante una realidad demasiado plagada de la cibernética y productos culturales extranjeros. “Madame Bovirtual” (2005) e “Intermedio del hombre verde (20--)” (1999) muestran un cuestionamiento hacia la producción literaria durante el comienzo de la revolución tecnológica. Ambos textos utilizan como referente obras literarias canónicas canónicas, sin embargo “Intermedio…” reformula la figura del monstruo de Frankenstein para una crítica social sobre el neocolonialismo y su representación en la ficción boricua.La literatura puertorriqueña femenina a finales del Siglo 20 se encargó de …
New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr
New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …
Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm
Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article describes two digital assignments that ask students to imaginatively embody characters from eighteenth-century texts written by women in order to cultivate a greater awareness of the critical role of gender and gender critique in these works. The first of these assignments, “Arabella’s Valentines,” asks students to translate dialogue from Charlotte Lennox’s The Female Quixote as humorous Internet memes. The second assignment, “Literary Connections [dot] com,” asks students to imagine how characters from the course archive might represent themselves on an internet dating site. Through creative role-play facilitated by these digital genres, students engage with the texts in stimulating …
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …
“I Know You Want It”: Teaching The Blurred Lines Of Eighteenth-Century Rape Culture, Emily J. Dowd-Arrow, Sarah R. Creel
“I Know You Want It”: Teaching The Blurred Lines Of Eighteenth-Century Rape Culture, Emily J. Dowd-Arrow, Sarah R. Creel
ABO: Interactive Journal for Women in the Arts, 1640-1830
“‘I Know You Want It’: Teaching the Blurred Lines of Eighteenth-Century Rape Culture” is a collaborative pedagogical article that addresses the problem of so-called “post-feminism” in the contemporary college classroom by way of a comparative approach to eighteenth-century literature. Specifically, we contextualize and compare the early and late work of Eliza Haywood with current cultural debates and events in order to demonstrate not only the relevance of Haywood and eighteenth-century writers like her, but the importance of continuing the feminist conversation. The article provides texts, readings, and discussion points for consideration, as well as links to relevant contemporary issues and …
The Dale Spender Collection At The Women's College, University Of Sydney, Olivia Murphy
The Dale Spender Collection At The Women's College, University Of Sydney, Olivia Murphy
ABO: Interactive Journal for Women in the Arts, 1640-1830
Notice of the opening of the Dale Spender collection of books relating to feminism; Australian women's writing; and women's writing in English of the long nineteenth century.
The Beautiful Soul In The Confessional: Crafting The Moral Self In Friederike Helene Unger's Confessions Of A Beautiful Soul Written By Herself, Michelle A. Reyes
The Beautiful Soul In The Confessional: Crafting The Moral Self In Friederike Helene Unger's Confessions Of A Beautiful Soul Written By Herself, Michelle A. Reyes
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article examines how Unger’s Confessions of a Beautiful Soul written by Herself creates a new model of moral acquisition. This model finds its place between religious morality and moral performance, calling for the novel’s protagonist, Mirabella, to cultivate a moral self through the spiritual practice of reading. Such a model still revolves around moral transformation, but it is no longer of her soul, but rather her thoughts; that is, Mirabella must first collect various depictions of morality from a wide scope of literature, then choose from these which ones she deems as of greatest importance to her, namely virginity …