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Full-Text Articles in Feminist, Gender, and Sexuality Studies

[Introduction To] When Janey Comes Marching Home: Portraits Of Women Combat Veterans, Laura Browder, Sascha Pflaeging May 2010

[Introduction To] When Janey Comes Marching Home: Portraits Of Women Combat Veterans, Laura Browder, Sascha Pflaeging

Bookshelf

While women are officially barred from combat in the American armed services, in the current war, where there are no front lines, the ban on combat is virtually meaningless. More than in any previous conflict in our history, American women are engaging with the enemy, suffering injuries, and even sacrificing their lives in the line of duty.

When Janey Comes Marching Home juxtaposes forty-eight photographs by Sascha Pflaeging with oral histories collected by Laura Browder to provide a dramatic portrait of women at war. Women from all five branches of the military share their stories here--stories that are by turns …


Women Home From War, Laura Browder Jan 2010

Women Home From War, Laura Browder

English Faculty Publications

The first time I heard a woman describe her deployment in glowing terms, I was taken aback. Marine Colonel Jenny Holbert told me that being in charge of public affairs for the second battle of Fallujah was "probably one of the biggest events of my life, other than birthing two children." I thought, cynically, that this enthusiasm was all part of her role as a public-affairs officer. It took me a while to understand how compelling the experiences of being in a combat zone could be for the women I talked with. Colonel Holbert's enthusiasm for deployment was only one …


Disorienting The Furniture: The Transgressive Journalism Of Alfonsina Storni And Charlotte Perkins Gilman, Mariela Méndez Jan 2010

Disorienting The Furniture: The Transgressive Journalism Of Alfonsina Storni And Charlotte Perkins Gilman, Mariela Méndez

Latin American, Latino and Iberian Studies Faculty Publications

Drawing on the journalistic prose of two major literary figures of early-twentieth-century Argentina and the U.S., this article breaches cultural, national, and geographical frontiers by comparing the discursive gestures through which Alfonsina Storni and Charlotte Perkins Gilman re-appropriate for themselves the canonical genre of essay-writing to advance their feminist agendas. By undermining the presuppositions underlying so-called feminine publications of their time, both women carry out an intriguing disarticulation of the classic private/public divide that empowers their female readers to conceive of female subjectivity in new and innovative ways. Almost a mythic figure in the world of Latin American letters, Alfonsina …