Feminist, Gender, and Sexuality Studies Commons^™

How To Help When It Hurts? Think Systemic, Corey L. Wrenn Ph.D.

Corey Lee Wrenn, PhD

To resolve a moral dilemma created by the rescue of carnivorous species from exploitative situations who must rely on the flesh of other vulnerable species to survive, Cheryl Abbate applies the guardianship principle in proposing hunting as a case-by-case means of reducing harm to the rescued animal as well as to those animals who must die to supply food. This article counters that Abbate’s guardianship principle is insufficiently applied given its objectification of deer communities. Tom Regan, alternatively, encouraged guardians to think beyond individual dilemmas and adopt a measure of systemic reconstruction, that being the abolition of speciesist institutions (The …

Wocmes 2018: "I Am The Entertainer": Embodying Entertainment In The Egyptian Film Poster, Roberta L. Dougherty

Roberta L. Dougherty

No abstract provided.

Wocmes 2018: "I Am The Entertainer": Embodying Entertainment In Egyptian Film Posters (Slides), Robin Dougherty

Roberta L. Dougherty

No abstract provided.

Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz

Kirsten Schultz

No abstract provided.

The Dancer's Paradox: Dance In Egyptian Film, Roberta L. Dougherty

Roberta L. Dougherty

Keep Claiming Space!, Koritha Mitchell

Koritha Mitchell

Substantial foreword to the "Hands Up. Don't Shoot!" special issue of CLAJ.

Whether It’S Coins, Fringe, Or Just Stuff That’S Sparkly': Aesthetics And Utility In A Tribal Fusion Belly Dance Troupe’S Costumes, Jeana Jorgensen

Jeana Jorgensen

As both a scholar and a belly dancer, I believe that belly dance is recognizable on aesthetic grounds. In addition to the movements that belly dancers typically perform—muscle isolations, undulations, graceful hand motions and turns, and lots of hip work—belly dancers wear costumes that are visually identifiable as belly dance costumes. While this description may seem tautological, there are recognizable standards both in the public sphere and among dancers for what constitutes the belly dance image—or images, as belly dance is a diverse phenomenon that encompasses teaching, learning, performing, watching, socializing, and costuming.

Dancing The Fairy Tale, Laura E. Katz Rizzo

Laura E Katz Rizzo

“Dancing the Fairy Tale offers a new historical perspective on the development of the art of ballet, and how women have played pivotal roles as performing artists, directors, and producers. Laura Katz Rizzo uses The Sleeping Beauty as her vehicle and she debunks the prevailing historical narrative that ballet’s evolution has been linear and dominated by male choreographers and directors. She successfully argues that the ballerina is an integral part of the creative process. Well written, and extensively researched, Dancing the Fairy Tale will be a welcome addition to any balletomane’s library, and an excellent text for courses in dance …

Selected Bibliography For Work In Reading, Literacy, And Pedagogy, Geert Vandermeersche, Kris Rutten, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Introduction To New Work About World Literatures, Graciela Boruszko, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Electronic Journals, Prestige, And The Economics Of Academic Journal Publishing, Steven Tötösy De Zepetnek, Joshua Jia

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

In their article "Electronic Journals, Prestige, and the Economics of Academic Journal Publishing" Steven Tötösy de Zepetnek and Joshua Jia discuss the current state of the academic journal publishing industry. The current state of the industry is an oligopoly based on a double appropriation model where academics produce work for at no cost only to have publishers earn significant profit margins by selling the work back to academics. Publishers are able to do this given the price inelasticity and weak bargaining power of its main consumer, university libraries. Publishers' ability to increase prices is also supported by what the authors …

Nádas's A Book Of Memories And Central European Journeys, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

In his article "Nádas's A Book of Memories and Central European Journeys" Steven Tötösy de Zepetnek discusses theoretical, literary, political, social, etc., aspects of travel in Péter Nádas's novel. "Travel" in the novel represents both a conceptual and lived experience at a time when travel between the East and the West in Europe was restricted and when a person hailing from the "East" considered a journey to the West a complex and ideological matter. Further, the aspect of urbanity, that is, cultural and social spaces and the journey and what such entails in terms of ideology, points of origin, knowledge, …

'A Sort Of Buzzing' Queer Sound In David Malouf's Blood Relations, James Marland

James Grice Thomas Marland

No abstract provided.

Playing The Changeling Architecturally, Kim Solga

Kim Solga

Performing Environments is an original and important collection examining site specificity in a diverse range of medieval and early modern performance cultures. The chapters take up theories of site specificity more commonly deployed in the study of contemporary work in order to raise new questions and suggest innovative approaches to the study of performance in the historical past. The book provides an introduction to site specific theories as well as a review of the recent 'geographical turn' in medieval and early modern scholarship that frames the studies for both novice and expert readers. Individual chapters explore both theatrical performances and …

Love In Action: Noting Similarities Between Lynching Then & Anti-Lgbt Violence Now, Koritha Mitchell

Koritha Mitchell

The more I learn about the violence currently plaguing LGBT communities, the more it reminds me of the brutal practice of lynching, which has been the focus my research for the past 15 years. Ultimately, both forms of violence are designed to deny targeted groups recognition as citizens. Relying on my expertise regarding racial violence as well as the data on anti-LGBT attacks collected by the National Coalition of Anti-Violence Programs (NCAVP), this essay notes similarities between lynching at the last turn of the century and anti-LGBT violence today. The piece identifies five parallels: 1) the mundane quality of the …

“Peer Reviewed: Elizabeth Inchbald’S Shakespeare Criticism", Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Beautiful Evil: (Re)Covering The Subversive Rhetorics Of Adah Isaacs Menken, Jeanne Bohannon

Jeanne Law Bohannon

No abstract provided.

Butoh: The Dance Of Global Darkness, Steven Bruhm

Steven Bruhm

No abstract provided.

Belief And Performance, Morrison And Me, Koritha Mitchell

Koritha Mitchell

A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.

James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell

Koritha Mitchell

James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …

“‘This Is The Word Of God’: Acceptance Theatre And The Validation Of A Gay Religious Sensibility. An Analysis Of Terrence Mcnally’S Corpus Christi”, James Marland

James Grice Thomas Marland

No abstract provided.

Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell

Koritha Mitchell

Chapter analyzing May Miller's Nails and Thorns, a lynching play not discussed in my book LIVING WITH LYNCHING.

Nobilitashungariae: List Of Historical Surnames Of The Hungarian Nobility, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

nobilitashungariae: List of Historical Surnames of the Hungarian Nobility 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek Purdue University Press) is compiled by Steven Tötösy de Zepetnek based on published historical genealogical sources. nobilitashungariae is archived in the Electronic Collection of Library and Archives Canada. A magyar történelmi nemesség családneveinek listája 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek & Purdue University Press) genealógiai munkák alapján van Tötösy de Zepetnek Steven által összeállítva. A könyv állománya az Electronic Collection of Library and Archives Canada digitális archívumjának.

Performance Review Of By Hands Unknown, Koritha Mitchell

Koritha Mitchell

Performance Review of BY HANDS UNKNOWN, theatrical presentation composed of 7 one-act lynching plays from the 1920s and 1930s.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Melissa A. Ames

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Should Writers Use They Own English, Vershawn A. Young

Vershawn A Young

This paper argues against critic Stanley Fish's assertion that students should not use dialect in academic writing.

Nah, We Straight: An Argument Against Code-Switching, Vershawn A. Young

Vershawn A Young

Although linguists have traditionally viewed code-switching as the simultaneous use of two language varieties in a single context, scholars and teachers of English have appropriated the term to argue for teaching minority students to monitor their languages and dialects according to context. For advocates of code-switching, teaching students to distinguish between “home language” and “school language” offers a solution to the tug-of-war between standard and nonstandard Englishes. This paper argues that this kind of code-switching may actually facilitate the illiteracy and academic failure that educators seek to eliminate and can promote resistance to Standard English rather than encouraging its use

The Isleño Décima: Media And Memory In Spanish-Speaking South Louisiana, Jeanne Gillespie

JEANNE GILLESPIE

From the early fifteenth century to the end of the eighteenth century, the Spanish colonial process involved the settling of vast tracks of land. From their first colonial experiment in the Canary Islands in 1402, the Spanish administration learned that it was sometimes more effective to import assimilated settlers from already established colonial possessions than to attempt massive conversion and cultural assimilation. To shore up the vast spaces of the northern Gulf Coast, particularly "West Florida" and eastern Texas, the Spanish governors sent for colonists including groups of Canary Islanders who settled outposts along the Red River, as well as …

Realism And The Ethics Of Risk At The Stratford Shakespeare Festival, Kim Solga

Kim Solga

The Stratford Shakespeare Festival is notoriously risk-averse, creating quality "classical" theatre without rocking any audience worlds. Or is it? This paper re-examines the history of "risk" at Stratford and explores two key productions directed by Peter Hinton at the Festival. I conclude that, perhaps, risk-taking directors and a "conservative" acting company serve the work very well indeed.