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Articles 1 - 11 of 11

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Keep Claiming Space!, Koritha Mitchell Dec 2015

Keep Claiming Space!, Koritha Mitchell

Koritha Mitchell

Substantial foreword to the "Hands Up. Don't Shoot!" special issue of CLAJ.


Dancing The Fairy Tale, Laura E. Katz Rizzo Jan 2015

Dancing The Fairy Tale, Laura E. Katz Rizzo

Laura E Katz Rizzo

“Dancing the Fairy Tale offers a new historical perspective on the development of the art of ballet, and how women have played pivotal roles as performing artists, directors, and producers. Laura Katz Rizzo uses The Sleeping Beauty as her vehicle and she debunks the prevailing historical narrative that ballet’s evolution has been linear and dominated by male choreographers and directors. She successfully argues that the ballerina is an integral part of the creative process. Well written, and extensively researched, Dancing the Fairy Tale will be a welcome addition to any balletomane’s library, and an excellent text for courses in dance …


Love In Action: Noting Similarities Between Lynching Then & Anti-Lgbt Violence Now, Koritha Mitchell Sep 2013

Love In Action: Noting Similarities Between Lynching Then & Anti-Lgbt Violence Now, Koritha Mitchell

Koritha Mitchell

The more I learn about the violence currently plaguing LGBT communities, the more it reminds me of the brutal practice of lynching, which has been the focus my research for the past 15 years. Ultimately, both forms of violence are designed to deny targeted groups recognition as citizens. Relying on my expertise regarding racial violence as well as the data on anti-LGBT attacks collected by the National Coalition of Anti-Violence Programs (NCAVP), this essay notes similarities between lynching at the last turn of the century and anti-LGBT violence today. The piece identifies five parallels: 1) the mundane quality of the …


Belief And Performance, Morrison And Me, Koritha Mitchell Dec 2012

Belief And Performance, Morrison And Me, Koritha Mitchell

Koritha Mitchell

A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.


James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell Mar 2012

James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell

Koritha Mitchell

James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …


Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell Nov 2011

Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell

Koritha Mitchell

Chapter analyzing May Miller's Nails and Thorns, a lynching play not discussed in my book LIVING WITH LYNCHING.


Performance Review Of By Hands Unknown, Koritha Mitchell Jan 2011

Performance Review Of By Hands Unknown, Koritha Mitchell

Koritha Mitchell

Performance Review of BY HANDS UNKNOWN, theatrical presentation composed of 7 one-act lynching plays from the 1920s and 1930s.


Should Writers Use They Own English, Vershawn A. Young Jun 2010

Should Writers Use They Own English, Vershawn A. Young

Vershawn A Young

This paper argues against critic Stanley Fish's assertion that students should not use dialect in academic writing.


Nah, We Straight: An Argument Against Code-Switching, Vershawn A. Young Jun 2010

Nah, We Straight: An Argument Against Code-Switching, Vershawn A. Young

Vershawn A Young

Although linguists have traditionally viewed code-switching as the simultaneous use of two language varieties in a single context, scholars and teachers of English have appropriated the term to argue for teaching minority students to monitor their languages and dialects according to context. For advocates of code-switching, teaching students to distinguish between “home language” and “school language” offers a solution to the tug-of-war between standard and nonstandard Englishes. This paper argues that this kind of code-switching may actually facilitate the illiteracy and academic failure that educators seek to eliminate and can promote resistance to Standard English rather than encouraging its use


The Isleño Décima: Media And Memory In Spanish-Speaking South Louisiana, Jeanne Gillespie Apr 2010

The Isleño Décima: Media And Memory In Spanish-Speaking South Louisiana, Jeanne Gillespie

JEANNE GILLESPIE

From the early fifteenth century to the end of the eighteenth century, the Spanish colonial process involved the settling of vast tracks of land. From their first colonial experiment in the Canary Islands in 1402, the Spanish administration learned that it was sometimes more effective to import assimilated settlers from already established colonial possessions than to attempt massive conversion and cultural assimilation. To shore up the vast spaces of the northern Gulf Coast, particularly "West Florida" and eastern Texas, the Spanish governors sent for colonists including groups of Canary Islanders who settled outposts along the Red River, as well as …


(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell Jan 2006

(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell

Koritha Mitchell

My initial articulation of the history of black-authored lynching plays and their tendency to avoid portraying physical violence.