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Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Dismantling The Cult Of Manliness, Peter Capalbo
Dismantling The Cult Of Manliness, Peter Capalbo
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Explores the argument that several of Virginia Woolf's male characters, including Septimus Smith, Mr. Ramsay, and Bernard (in The Waves), challenge traditional male gender expectations in Britain after World War I. Examines Woolf's use of the concept of manliness in structuring her novels and her presentation of a series of men who do not conform to the British ideal of masculinity and who, thereby, allow her to expose the multiple fallacies of that ideal and a culture supported by such a concept. Posits that Woolf's work suggests that a new, more inclusive, understanding of gender is an important first step …
The Rebellious Angel, Pamela Gannon Mazzuchelli
The Rebellious Angel, Pamela Gannon Mazzuchelli
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Examines Virginia Woolf's writing and her anger in historical contexts, revealing that circumstances dictated that she deflect this volatile emotion. Focuses on the ways in which this deflection of anger illuminates the fictional dynamics of Woolf's autobiographical novel, To the Lighthouse and analyzes the concept of the Angel in the House, posited to be at the root of Woolf's anger. Argues that anger exists on three levels in the novel and that the main character, Mrs. Ramsay, is a victim of the Angel in the House ideology.
Textual Possession: Manipulating Narratives In Wilkie Collins's Sensation Fiction, Kieran Ayton
Textual Possession: Manipulating Narratives In Wilkie Collins's Sensation Fiction, Kieran Ayton
Honors Projects
Examines the mechanisms through which Collins updated the gothic novel to create the sensation novel, with particular emphasis on The Woman in White, The Law and the Lady, and The Haunted Hotel. Highlights Collins's use of transgressive gender characterization, whereby his main characters use documents to gain social power over other characters. Describes the influence of Ann Radcliffe's gothic novel, The Mysteries of Udolpho, on The Woman in White.