Feminist, Gender, and Sexuality Studies Commons^™

Is First, They Killed My Father A Cambodian Testimonio?, John Maddox

CLCWeb: Comparative Literature and Culture

In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …

Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang

Présence Francophone: Revue internationale de langue et de littérature

This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.

Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

In this paper I will argue that Chicana feminist artist Laura Aguilar, Alma Lopez, Laura Molina, and Yreina D. Cervantez established a continuing counter-narrative of cultural hegemony and Western essentialized hegemonic identification. Through artistic expression they have developed an oppositional discourse that challenges racial stereotypes, discrimination, socio-economic inequalities, political representation, sexuality, femininity, and hegemonic discourse. I will present a complex critique of both art and culture through an inquiry of the production and evaluation of the Chicana feminist artist, their role as the artist, and their contributions to unfixing the traditional and marginalized feminine. I argue that third wave Chicana …

Cuba's Chords Of Change: Music, Race, Class & Motherhood At The Turn Of The 21st Century, Saundra Marie Amrhein

USF Tampa Graduate Theses and Dissertations

This thesis is an ethnography and biographical study that examines the impact of the immense socioeconomic changes underway in Cuba at the turn of the 21st century and the flexible identity categories through which individuals navigate a social crisis.

The biography and ethnography in this thesis are centered on the life of Violeta Aldama, an aging revolutionary and Afro-Cuban mother who struggles to make ends meet while fighting to steer her son, Brian, through a classical music education and into a music career. Amid growing racial inequalities when many Afro-Cubans are locked out of the most lucrative jobs in the …

Can I Really Be Me? The Challenges For Women Leaders Constructing Authenticity, Amanda Sinclair

Amanda Sinclair

No abstract provided.