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Feminist, Gender, and Sexuality Studies Commons

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Full-Text Articles in Feminist, Gender, and Sexuality Studies

Redefining The Roles Of Women And Sexual Ethics In The Roman Catholic Church, Kenneth Nauert Jun 2017

Redefining The Roles Of Women And Sexual Ethics In The Roman Catholic Church, Kenneth Nauert

Mahurin Honors College Capstone Experience/Thesis Projects

The Second Vatican Council was one of the most seminal councils in the history of the Roman Catholic Church, and had far reaching and engaging effects on the wider universal institution. One of the most important outcomes of Vatican II was not the reforming of orthopraxy, but the dialogue that developed within the Church regarding specific issues, two of which are the transforming dynamic of women’s roles in Church life and of Catholic sexual ethics. The decades following Vatican II became a new era of religious dialogue amongst Catholic scholars and theologians, which established new discussions on women’s ordination and …


The Menstrual Taboo And Modern Indian Identity, Jessie Norris Jun 2017

The Menstrual Taboo And Modern Indian Identity, Jessie Norris

Mahurin Honors College Capstone Experience/Thesis Projects

Throughout the 20th century India underwent several political and cultural changes, including their independence from Britain in the 1940s and their declaration as a secularized nation. However, even secular India has been unable to remove itself from a religious practice that functions within it, the menstrual taboo. The Hindu menstrual taboo has survived for thousands of years, which begs the question: Are Hindu beliefs and values fundamentally Indian? The practice and history of Hinduism in India has informed the mistreatment and negative stigmas associated with women and menstruation. Restrictions are placed on menstruating women in India, including exclusion from religious …


Letters To Mei Lanfang, Alexandra Dare Norman Mar 2017

Letters To Mei Lanfang, Alexandra Dare Norman

Mahurin Honors College Capstone Experience/Thesis Projects

As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …