Feminist, Gender, and Sexuality Studies Commons^™

Reimagining Identity Through Photography: The Experience Of Intersectionality For Asian-American Women, Noelle Song

CMC Senior Theses

"Reimagining Identity Through Photography: The Experience of Intersectionality for Asian-American Women'' aims to challenge the common stereotypes of Asian-American women in modern society by examining the history of their identities as both women and Asian Americans. The project highlights the negative consequences of complacency to these stereotypes, exploring the complexity of the model minority myth, intersectionality, and standpoint theory, while providing historical context to understand the violent crimes committed against this demographic. I curated a physical gallery space of 18 images featuring 9 Asian-American women to deconstruct racial and gender myths that contribute to the model minority myth. This exhibition …

Sisterhood: : Locating The Photography Of Carrie Mae Weems, Latoya Ruby Frazier, And Deana Lawson Within A Rhizome Of Black Feminist Discourse, Taylor Fama Ndiaye

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Do You Wanna Go Dancing?, Anthony Kascak

Graduate Theses and Dissertations

The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.

The …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

Ua1c6/7 Entertainment Photos, Wku Archives

WKU Archives Collection Inventories

Images of entertainment events.

Renluka Maharaj Interview, Steven Zych

Asian American Art Oral History Project

Bio: Renluka Maharaj grew up in the country of Trinidad and Tobago and moved to New York as a child where spent most of her life. Her Eastern and Western background wrapped with modern sensibilities is evident in her bodies of work. Her interests are centered on gender roles, sexuality, colonialism, mythology, iconography and fetishism. Some of the artists that have influenced her work are Yinka Shonibare and Yasumasa Morimura.

Ms. Maharaj completed her BFA at the University of Colorado Boulder and is currently completing her MFA at the School of the Art Institute of Chicago where she received the …

“Transnational Conversations In Migration, Queer, And Transgender Studies: Multimedia Storyspaces.”, Gema Pérez-Sánchez

Gema Pérez-Sánchez

En 2005 se aprobó en España la Ley 13/2005, de 1 de Julio, por la que se modifica el Código Civil en material de derecho a contraer matrimonio, dando pie al matrimonio legal entre personas del mismo sexo. Dos años más tarde se aprueba la Ley 3/2007, de 15 de marzo, reguladora de la rectificación registral de la mención relativa al sexo de las personas, la cual permite el cambio de sexo en el registro civil sin necesidad de someterse a una operación de reasignación de género. A pesar del indudable progresismo y de la gran importancia de estas leyes …

Site-Seeing, Meggan Gould

Wagadu: A Journal of Transnational Women's & Gender Studies

In Site-seeing, I look to address the disciplinary structures surrounding photographic vision through a series of photographs in which I have removed the camera from its habitual proximity to the eye, allowing it greater corporeal liberty. Through this series of mobility-induced images, I seek to explore the visual experience of embodied interstitiality, of being at neither point A nor point B, but caught in motion between the two.

Female Iconography In Invisible Man, Shelly J. Eversley

Publications and Research

Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.

Cabinet Photograph Of Millie [And] Christine, "The Two Headed Nightingale," N.D., Ollivier

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Cabinet card is 6.5in (16.5cm) tall and 4.5in (11cm) wide. Millie and Christine are photographed in full portrait, each in fine clothes and shoes, each grasping the curtains that frame them in the photographer's studio. Christine, presumably the figure on the right, hold a fan in her right hand.

Carte-De-Visite Photograph: "2 Headed Girl, Millie Crissie," No Date., J. H. Fitzgibbon

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Conjoined twins Millie and Christine McKoy in full portrait. Date of photograph unknown (likely ca. 1870, subjects died 1912).