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A Noble Duty: Ladies’ Aid Associations In Upstate South Carolina During The Civil War, Elizabeth Aranda, Carmen Harris

University of South Carolina Upstate Student Research Journal

The contributions of women during the American Civil War have been typically examined within the broader picture of a nation or state-wide mobilization of citizens during a time of war. In this paper, I seek to show the mobilization of women during the Civil War from a regionalized perspective limited to the Upcountry of South Carolina and the effect their development of aid societies had on the war as well as on their place as white women in the Confederacy. Female-run aid societies began for the purpose of gathering supplies for soldiers. Within two years they had founded hospitals and …

Intersectionality In The Contemporary Women’S Marches: Possibilities For Social Change, Sujatha Moni

Journal of Feminist Scholarship

The Women’s Marches of January 2017 and 2018 were some of the largest mass demonstrations in history. They represent an important stage in the American feminist movement in its current iteration. Unlike the first and second waves of the movement, which were led by privileged class cisgender white women, the leadership of these marches includes women of color who have brought a vision of intersectionality and diversity to the marches. Banners covering a wide range of issues including reproductive choice, #MeToo, equal pay, Black Lives Matter, LGBTQ rights, and support for immigrants, became the hallmark of these marches. Is the …

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Can Women's Voices Be Recovered From The Past? Grappling With The Absence Of Women Voices In Pre-Colonial History Of Zimbabwe, Sabelo J. Ndlovu-Gatsheni

Wagadu: A Journal of Transnational Women's & Gender Studies

The question of whether women’s voices can be recovered from the past may sound very old-fashioned to some people, but in the Zimbabwean academic situation, it is still pertinent even after all the advances made in researching women history elsewhere. This is because there is no attempt by historians to grapple with the absence of women voices in mainstream narratives of pre-colonial history of Zimbabwe. Invisibility of women has been maintained even in the latest historical works on pre-colonial history of Zimbabwe. This means that the existing histories neglected the activities of half of the population of the pre-colonial Zimbabwean …