Feminist, Gender, and Sexuality Studies Commons^™

Basil Bunting And The Challenges Of Literary Translation From Persian Into English: A Case Of Rūdhakī, Emadeddin Naghipour

Languages and Cultures Publications

The purpose of this study is to analyze Basil Bunting's literary translation. It turns to the theories of translation by Steiner, Benjamin, and Eco, among others, to study Bunting’s translation of Rūdhakī’s ‘Dandaniyyeh’ poem, a 10th century qaṣīdah replete with mesmerizing musicality and with a form galvanized in its originating language, time, and locale. A deep contrastive analysis of its translation into English by the poet, Bunting, shows the difficulties that can arise from literal translations of classical Persian poetry.

Millennial Representations Of Medieval Religious Schism In Western Media: An Iconographic Analysis Of Dante’S Inferno 28 And The Twenty-First Century Films Dracula Untold And Kingdom Of Heaven, Nafise Shajani

Languages and Cultures Publications

Dante Alighieri’s Inferno 28 is the place of the sowers of discord and scandal who are responsible for causing a split within their own communities; among them in the ninth bolge of the eighth circle is Muhammad whose mutilated body represents the division he brought to Christianity. A historical contextualization of the Inferno, however, confirms that the hostility between Christianity and Islam had emerged earlier with the rise of Islam as a political power in the seventh century. This paper examines Medieval and twenty-first century visual representations of this division within Christianity, which mirror the schism within Inferno 28. …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

Food Figures At The Forks: The Intersection Of Feminist And (Post)Colonial Politics Of Food Imagery In Kiran Desai’S The Inheritance Of Loss, Maryam Golafshani

2016 Undergraduate Awards

In Culinary Fictions: Food in South Asian Diasporic Culture, Anita Mannur argues that food offers ‘an alternative register through which to theorize gender, sexuality, class, and race’ in literature by and about the South Asian diaspora. The use of food in these texts is not merely a figurative flourish, but rather an ‘important vector of critical analysis in negotiating the gendered, racialized, and classed bases of collective and individual identity’ of South Asian bodies. Food is always already political; it must not merely be tasted, but must be read in terms of how it (re)presents and (re)produces intersecting power differentials. …

The High Cost Of Dancing: When The Indian Women's Movement Went After The Devadasis, Teresa Hubel

Department of English Publications

Introduction:

On the other side of patriarchal histories are women who are irrecoverably elusive, whose convictions and the examples their lives might have left to us--their everyday resistances as well as their capitulations to authority--are at some fundamental level lost. These are the vast majority of women who never wrote the history books that shape the manner in which we, at any particular historical juncture, are trained to remember; they did not give speeches that were recorded and carefully collected for posterity; their ideals, sayings, beliefs, and approaches to issues were not painstakingly preserved and then quoted century after century. …